On The Historical Narrative In Fang Fang's Novels

Fang fang is a native of Jiangxi. She was born in Nanjing and grew up living in Wuhan square. She has always been active in the literary world since her debut. From the “Cravan”on began, thirty years party concerned readers and researchers due to her unique creative personality. However, the study of historical narrative in the novels of the other side is a relatively weak link. At present, there are only a master's thesis The historical writing in the novels by Fang fang in the historical writing of Fang Fang's novels. Another comparison representative journal is on the square of the novel sense of style and image of the city's historical writing. Although there is a higher academic value, but only from writing the history of the city's image and style are not comprehensive enough. This article from the content, writing techniques and other aspects of the historical narrative of the novel to narrate, hoping that the other side of the field of research to seek new breakthroughs.In the introduction part, the paper mainly discusses the research significance, the research situation, the time limit, the method and the basic concept of the historical narration in the novels of Fang fang.The main body is divided into five chapters. The first chapter focus on the continuation of the political discourse, intellectuals “deformation” and the fate of the female “the loop”,which are the characteristics of different times square historical narrative of novels described. Previous researchers in the study often according to the content of the text, from the ideal of youth level to analysis.Most of the substance behind the content is mining. Based on the integration of historical factors, the hidden political discourse is discussed, in some extent,making up for the involuntary discharge of urine leakage. Since the mid-1980 s,more and more works has a lot of the image of intellectuals, although Fang fang's novels in the intellectual level are many, but from the perspective of historical change and the “deformation” of the intellectuals are not a lot. This article tries to seek innovation. Fang fang as a female writer, naturally has a strong sense of women. In the ninety's before the middle of the past, most of the female consciousness are on the surface. The ninety time after the party in the work, women consciousness is more obvious. This paper adopts loop narrative way to discuss the other side of the fate of women under the pen.The second chapter focus on the space and time management. The new“homecoming time management mode” and “theater model of operating space”and the space and time management comparative art aspects are discussed to analysis the characteristics in time and space. Space time view is an important aspect of the narrative analysis. In this paper, the time management of the historical narrative of the novel is to be interpreted from the mode of “leaving”and “returning”. Through the protagonist in the novel's changed behavior to show the historical changes of the times. In space, this paper abandons the grand space narration, but uses the “theater mode” in the drama to explain. The characters in a specific geographical space on “history” tragicomedy show the panorama of the history. And her novels in the space and time management stillexist in sharp contrast. Contrast before and after the time compare the different space, both longitudinal comparison between generations and intergenerational horizontal contrast, thus forming a huge network structure.The third chapter discusses the hidden and deconstruction in the historical narrative of Fang fang's novels. Through the “hidden writing” and “symbolic”strategy in the text to show the uniqueness of the historical narrative of Fang fang's novels. In the past, the study of the other side rarely mentioned in the text of the hidden and deconstruction. In fact, in some of the texts of Fang fang's novels, the historical narrative is not directly revealed, but hidden in the narrative. More typical is the father of historical narrative, which in the square of love, criminal investigation and all kinds of subject matter of novels are more or less reflected. Of course, the more extreme is that in some of the novels the history of the specific meaning has not been and become an abstract symbol. In this paper, we use the theory of semiotics to discuss this part of content, to some extent, to make up for the lack of this part of the research.The forth chapter focus on the “nested angle”, children perspective and the“onlooker” perspective, for example, to discuss novel history unique narrative perspective selection strategy. Writer's choice of narrative perspective will directly affect the effect of the reader's reading of the text and the history will show different features in different perspectives. Nested perspective will have a huge chain of suspense, also can make the reader more into the text of the novel.From the angle of view of children innocent, honest is more easy to let peopleunderstand the essence of history. Through the “spectators” eyes are another observation of history and more objective.The fifth chapter focus on family history narrative and revolutionary historical narrative are to be used to discuss the causes of historical narrative in Fang fang's novels. Previous studies mostly focus on the perspective of intellectual analysis of family's influence on her creation and Fang fang's paternal relatives, but ignore the square matrilineal relatives, especially the old grandfather who has great influence on Fang fang. A generation of famous Yang Gengsheng had never met Fang fang, but from the experience of the Armored Cavalry inspire Fang fang's inquiry desire for the creation of revolutionary history. Therefore, the historical narrative in the novels of the study is closely related to the historical narrative of the family and the narrative of revolutionary history.The last part of the thesis is the conclusion, which makes a comprehensive summary of the historical narrative in the other party's novels.