Grasping The "degree" In The Creation Of Professional Chinese Folk Dance

In 2000 I attended the Beijing music dance school, In the school, I studied by the teachers form the Beijing dance academy, the PLA art institute, the central university for nationalities. Educated in three colleges and universities teaching Chinese dance. I was admitted to Beijing dance academy in 2006, when undergraduate course in the 9th "TaoLiBei" dance competition, in the work of the rehearsal process is under the influence of the Professor Gao Du, I preliminary understanding what is the choreography of the professional Chinese ethnic and folk dance. After I graduated in 2010 to enter China Oriental Performing Arts Group, I was preliminary appreciate what is called the commercial performances on the actor post. To resign back to Beijing dance academy in 2013 at a full-time graduate student, I studied by the Professor Gao Du. In this process, the author deeply experience that the importance of the "limit" for the choreography of the professional Chinese ethnic and folk dance, so when I as a choreographer I especially pay attention to infinite in "limited". Also more deepened my desire for this subject research.This paper is in the process that I choreography the Chang Kong what is the experimental work of the professional Chinese ethnic and folk dance, I split the work section and analysis the methods of the choreography for hoping raise the practice experience to the level of the theory. The "limit" of the professional Chinese ethnic and folk dance depends on the creator's personal experience, aesthetic habits, the choice etc., so the "limit" has been no unified quantization standard, and it can not be quantified in the future. I writing this paper is intended to play a guiding role for the future of personal creation. Of course, if the paper will have the reference meaning for others, it will be a real blessing thing.