Returning To Emotions - The Practice And Research Of Woodblock Print Creation

For decades, the United States and the academic and art theorists · Susan Langer labeled aesthetics and philosophy of art research and enthusiasm never cut. The article points out the traditional artistic creation should be respected on the basis of a comprehensive exercise in the Pro ancient Mogu, antique continuous innovation, the creation of contemporary people to contact the living conditions of the contents of situations. Modeled on the ancients not repeated the ancients, to find creative methods of self-space, is a scientific, cultural and social value of art experience. Combining with the status quo, to explore how to fully express emotion in the art of printmaking in addition, the paper also for emotional and artistic relationship between artistic originality, combined with celebrity works on both a detailed elaboration.Many artists give up on art of great enthusiasm, so deep for simple visual senses meet, the neglect of literacy training and literary artists themselves grade promotion. Faced with this situation, the article to their own creative experience and case study of famous works by its essence to its dregs to find their own painting language into your own original. In this paper, the last chapter describes the emotions and ideals of art understood by understanding the individual printmaking further analysis pointed out: emotions help us construct the understanding of the world, the definition of the important features of the world; to help people see some kind of emotion Ray of hope. Emotions tell us whether it is good or bad, there is hope or threat, is expected to achieve or helpless atrophy. Inexhaustible in inventing new life, a new life transition process to pursue their own original works. In short, emotional and artistic development of original prints indelible sense, has yet we continue to explore and research.