The Relevance Between Wu Changshuo's Seal Carving And His Flower-and-Bird Painting

The Qing Dynasty inscription wind Yi Sheng, popular science and stone tablet study, change to calligraphy aesthetic field. Contains "epigraphy" inscriptions,aeriform in a masculine revealed without involuntary discharge of urine, the viewer is a magnificent, magnificent antique sense. This is full of the artistic style of masculinity is when people of aesthetic from and to the art and culture toward the desired direction. Aesthetic orientation and artistic style are coincident with age on art and cultural development. In the field of painting,it is inevitable to be influenced by the change of aesthetic idea. Many artists will this implies "epigraphy" aesthetic taste, the times and introduced into the painting, and creat a new style of antique vigorous and powerful atmosphere in the painting field. This new style of painting development to the late Qing Dynasty, and finally formed the talented and mature genre painting, namely "stone painting".As an outstanding representative of "stone painting", Wu Changshuo stone art style to a new height. He in poetry, books, paintings, printing each categories all certain artistic height, and four different kinds of art to unite to form his own unique artistic features. Through analysis, comparison and found that Wu will his seal cutting art unique tricks and blade, melting and his freehand brushwork of flowers and birds painting, mainly used in the picture composition and painting brushwork, between them have a contains the intrinsic association.Through the analysis of the Wu Changshuo seal cutting art and painting art, the aesthetic interest of fusion, and form an organic whole, namely rich the cultural connotation, and enhance the texture of the lines of the works, works has the unique expressive force and the force.