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The Music Style Of "Tianshan Style" And The Interpretation Of The Performance Art

Posted on:2017-02-15Degree:MasterType:Thesis
Country:ChinaCandidate:L Y RenFull Text:PDF
GTID:2355330488490737Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
In this paper, in order to "analysis of music styles of Tianshan style" and the art of playing the title by interpretation, inductive method, example method, separately from the composingfeatures, music style and playing skills in these three aspects, the interpretation of thecharacteristics and style of this works, so as to achieve the combination of theory and practice.For nearly 100 years, in the promotion of a large number of full of wit erhu family, from both the musical instrument reform or from the development of the art of Erhu playing techniqueshave achieved significant progress. Since the founding of new China to the erhu continuous improvement and innovation, and thechange of environment of musical culture, the emergence of a large number of excellent erhu music composer and pianist, erhu development has made a historic breakthrough. The work of the subject also to the rich, and there have been many ethnic customs and characteristics of the era of erhu works, can be said to be fruitful.These composers inheriting national music concept of value and the use of moderncomposition techniques, and created a batch of modern erhu works. Shows the diversification of erhu unique timbre and some distance with traditional music style of modern playing technique.Mr. Wang Jianmin is representative of one of the best composers of the twentieth century, quite a success in the national and ethnic orchestral instrumental solo creative side. He created the "Tianshan" combination of amorous feelings of folk music material to create a unique local style of music, the melody does not lose the original ethnic flavor, fresh,personality, both audibility is very strong, at the same time and have high artistic value. Excellent work can play erhu full play to the role of performance and development of the instrument itself playing skills, the text of this paper is divided into three sections, respectively, "Tianshan style" creative background overview of the characteristics of the creative works of musical styles, as well as personal experience of playing research focuses on the works and summarized.Through analysis of hope, calling a generation erhu player in the future of art better inherit and develop better interpretation and breakthroughs make its owncontribution.
Keywords/Search Tags:Tianshan style, Xinjiang style, To add a second interval, Innovation rhythm, From Boeing notes
PDF Full Text Request
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