Shandong Qinshu Vocal Music Research

Shandong Qinshu passes on from generation to generation. It is an important part of the Traditional Music Culture of our country, as well as one of the representatives of Music Culture of Qi and Lu. Taking root and surviving in the fertile soil of civil society, it is the living appearance of ethnocentric characteristics and aesthetic custom, and also the vivid demonstration of ethnocentric life memories and cultural varieties. The study of Shandong Qinshu is not only the testimony of historical development, but also the excavation of precious cultural values.Taking Shandong Qinshu as the topic of the research, adopting the method of combining cultural background description and music morphology analysis and based on the illustration of its cultural background and ideological content, this article mainly studies and analyzes Shandong Qinshu’s music morphology, researching the developmental rules of Shandong Qinshu music and therefore gives inspiration for the inheritance of Chinese traditional music culture. This article will be divided into five parts:The first character summarized Shandong Qinshu, analyzing the forming environment of Shandong Qinshu in brief and sorting out the sequence of its historical development. The second chapter refined the contents of Shandong Qinshu, summarized the characteristics of the art of Shandong Qinshu, and made an objective and fair evaluation of the backward feudal ideology.The third chapter made a research of the internal morphology of the music Shandong Qinshu through the case study. Based on the expounding of the basic singing tune, it summed up the modal characteristics of the tune first, which is divided into two parts, the modal tune and the character tune; Secondly, it did a research on the characteristics of the melody, including the the character of talking and singing, polishment and therhythm of the melody; the last section of this chapter analyzed the developing technique of music, including the use of repetition, extending(for the delivery of)the pattern of development and connection.The fourth chapter firstly gave an overview of Shandong dialect, and it elaborated the influence the language had done to the melody of singing tune through tones, ligatures, the trend of tone, intonation stress, as well as the music and the linging word. Just Shandong dialect has its unique regional characteristics, and it makes the Shandong Qinshu reflects the different style. Shandong Qinshu language factors exploration, it is understand Shandong Qinshu important part of characteristics forming.The fifth chapter contained Qinshu artist interviews and the public surveys. From the angles of views of both insiders and outsiders, it observed Shandong Qinshu present survival situation, aimed at existing problems, and presented the corresponding suggestion.Through the concrete analysis of Shandong Qinshu, this article aims to summarize the development experience of Chinese traditional arts, reveal the unique charm of this time-honored form of art, push forward the inheritance and development of traditional music, and contribute to the promotion of Shandong Traditional Qu Yi Music Culture.