See The Urban Customs In Traditional Landscape Paintings From "The Riverside Scene At Qingming Festival"

Northern Song Zhang Zeduan "Qing ming shang he tu ",the realism technique of expression characterizes the Northern Song Dynasty social market economy,the prosperity of the scene and folk customs,the panoramic painting also on later produced extensive influence.Therefore,in the yuan,Ming and Qing Dynasties,an upsurge of imitation.In many to this,the imitation to now hidden in the Liaoning Museum Anglophobia " " Qing ming shang he tu "" the most familiar.The two are recorded at the time of the city life,known as the history of the classic painting.Qingming Festival by the riverside in the history of Chinese painting a panoramic view of the social custom of painting style,is a picture of a set of ideas and art of great works,reflects the survival principle of man and man,man and nature harmonious development,showing the painters of the era,of society,of things the attitudes and feelings,of course,filling of superior painter painting technique.This hatred and the inheritance and innovation in artistic skills and style.This article will Xuyang and version of the second person "Suzhou downtown map" were compared,to explore the ideological content of the different periods of the development of the urban landscape and the underlying.In depth analysis of the three works in the architectural style and landscape painting style.Again through life building in landscape painting composition and species,in-depth discussion of urban architecture in the ancient landscape painting artistic conception,to glimpse of urban style relationship building communities and landscape painting in the landscape painting to reflect,in line with the times and geographical characteristics of the urban landscape and how to realize the ancients advocated "tour to be home and feasible".