| In this paper, Schumann piano divertimento "Carnival" Op.9 to research by the introduction, body and conclusion of three parts, in which the body is divided into three sections.Introduction: This paper describes the use "of Schumann piano divertimento" Carnival "Op.9" as the reason for research and writing ideas.Text:Chapter 1: Schumann’s musicSection I: Schumann’s Biography.Robert Schumann(Robert Schumann, 1810-1856), 19 century German composer, music critic, Ye Deguo half of the nineteenth century, the history of music the outstanding contributions of the characters, using romantic style deeply in his artistic creation Germany reflects the social life and literary thought.Section II: Schumann’s music.In Schumann is the author of numerous musical works, piano works occupy a very important position, especially his first piano divertimento more representative of his major achievements. Prior to 1840, Schumann piano music is the only art creation. His piano music most of the works are written in this period. Such as "Abegg Variations" Op.1, "butterfly" Op.2, "Carnival" Op.9, "Great Sonata" Op.11, "Fantasia collection" Op.12, "Symphonic Etudes" Op. 13, "childhood scenes" Op.15, "Fantasia" Op.17, "Chrysler even remember" Op.16 and other classic masterpieces are created in this period. After 1840, the creation of the center of gravity shifted to the piano by Schumann vocal, orchestral, chamber music and other fields. In 1840, the creation of more than a hundred Schumann art songs, such as "myrtle" Op.25, "women love and life" Op.42, "Poet’s Love" Op.48. In 1842, Schumann traveled to Bohemia, he completed more than chamber music, such as "string Quartet" Op.41, "piano Quintet" Op.44, and only a piano concerto "a minor piano Concerto" Op.54. He has since created a large-scale choral and opera, such as "Geno Phewa" Op.81.Chapter II: Schumann piano divertimento "carnival" Op.9 creative background and writing featuresSection I: "Carnival" creative background. "Carnival" is one of the most influential Schumann piano works, this piece was written in 1934, was completed in 1935. Schumann was working with his piano teacher Vick another student, a girl named Aineisiting love. Love and inspired the creation of this piece, and the content of this piece contains is far more than love.Section II: "Carnival" creative features.1. The title of the piano suite. Music is the first title in its creative career Liszt late. Mainstream music title music is not the same period. Such as Chopin, the music title in his works on rare, mainly in Chopin’s creative diversity of genres, such as: ballads, sonatas, etudes, etc. The title music is the music of the late Romantic composer combined time of literature, drama, painting and other arts burst of inspiration, resulting in a form of music, which is a talk with music composer inner feelings, or express intent writer in the form of a painter mood. Divertimento means sets were scheduled to perform the song in general, this group of music and sometimes music theme or themes relating to have some contact. Schumann is both a musician and a writer, Schumann by family atmosphere will affect literature and music literature closely linked, he passed a large number of outstanding literary works and understanding their own fantasy of re-creation, innovation produced " has a title, " the music, that’s the title of the piano suite, his music make the music more appropriate title vivid, so music contents better show, performers and listeners to have a more definite imagination. Creation Schumann piano divertimento can attract wide audience is very important point is that he portrayed characters distinct anomaly, he can reproduce a vivid vivid characters.2. The design characters and paragraphs."Carnival" whole song with the title of the 21 songs, each of songs both exist independently but interrelated. 21 title in folklore characters such as "Pierrot", "Arlequin", "Pantalon Et Colombine." There are real musicians or friends: "Chiarina"(Clara pronunciation in Italian), "Chopin", "Estrella", "Paganini." There Schumann personal self-image two different sides: "Eusebius", "Florestan." There Schumann himself and then his girlfriend Ernestion of emotions: "Replique", "Reconnaissance", "Aveu", "Promenade." There heighten the atmosphere of the whole carnival masquerade waltz: "Valse Noble", "Valse Allemande."3. The beat and rhythm.In the piano suite "Carnival", the beat simple and clear, remove "Chopin" Optional 6/4 beat, the remaining 20 ditty invariably chose 2/4, 3/4 beat in the form of single shot. But Schumann on the basis of a single beat, use the unique rhythm, texture, melody designed to the performance of music, drawn out one by one almost certain characters and figurative scenes. Rhythm, since music needs, his inner feelings and downs, very large fluctuations, coupled with the spirit of reason Schumann, so use a lot of exaggerated rubato rhythm.4. The intensity and speed.In "Carnival", Schumann attaches great importance to efforts to change and contrast performance, the intensity of the frequent label mark, the intensity of the magnitude of change is very large, a strong contrast to the intensity of the music and very layered. "Carnival" speed change is also very rich, in addition to 21 songs fast and slow speed varies between each other outside, there will be changes within each segment ditty speed, gradually faster, gradually slow mark labels appear frequently.Chapter 3: "Carnival" Op.9 The characterization and analytical performanceCreation Schumann piano divertimento "Carnival" by the 21 songs with the title composition, each of whom ditty Schumann added a subtitle. This section depth study of all aspects of each of the first songs, elaborate musical content, combined with the music as played in analytical aspects of phrasing, sentence shape, sound design, application of the pedal, the intensity arrangement, rubato rhythm treatment. |
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