| Chinese landscape painting as a form of expression peculiar to the Chinese traditional visual arts, after thousands of years of evolution and development is colorful, varied in style, but many works only pays attention to the image while ignoring the essence of Chinese paintings of the connotation,the analysis of Chinese landscape painting of "heavy" is the gist of this thesis,and reveals the "heavy" is the relative existence in traditional Chinese painting, and focuses on understanding and comparison of "heavy". This thesis is divided into seven chapters. Chapter one is put forward the "heavy",and "thick", "heavy" and "heavy" in-depth explanation, through in-depth analysis and extension of "heavy" have a more profound understanding. The second chapter is "heavy" source, source in observation of nature for chapter three ’heavy’ relative to pave the way, further explanation of the "thick" of people is reflected in the calm, connotation, steady; for culture embodied is immortal classics, is after the time of unchanged after the testimonies, is concise but not simple truth. Or constitutes the four, by the fourth chapter is the key point of graphic comparison and explanation of "heavy" performance related factors are: first is the point of a text line have the strength and thickness, followed by a text line in the operating position of space distance(home, travel, can lie, momentum, the flavor of pure and quiet, moreover is the technique of using and processing, finally is to contain a variety of thought, emotional sustenance, symbol, understanding, meaning, spirit and artistic conception; analysis of the "heavy", leads to the next chapter "heavy" in traditional Chinese landscape paintings, and an example is analyzed. The except through the basis of theory can be extended to study, through theoretical and graphic analysis, "heavy" in the Chinese landscape painting can be more fully understanding, access to relevant theory books the be theoretical support and a full understanding of. |
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