The Production Of Reportage In The 1980s And The Creation Of "national Heroes"

In the history of Chinese literature,reportage has been a kind of style that can not be ignored.Whether it was sent to China at the beginning and caused by a sensation,many writers competing to create it,or after the vigorous development in the following years,reportage has played an important role during the war and the new era.After entering the new period,Chinese literature has developed rapidly,reportage literature has also assumed the mission of this style and it has experienced and observed the changing circumstances of the times in the real writing,perceiving social movement.This paper chooses the report literature as the research object,and takes the "national hero" as the breakthrough point,and explores the mode of production,the aesthetic connotation and the construction of the spiritual model about reportage literature during the 1980’s through the ways of text reading and sorting the historical materials.The full text consists of three parts: introduction,text and conclusion.The introduction part firstly discusses the uniqueness of reportage literature which is as a member of the literary family,as well as its huge repercussions in a particular era,meanwhile,this thesis finds the reality of shortage of review articles about reportage literature.It defines the concept of "national hero",and explores the characters and spiritual orientations in the report literature.The first chapter explores the development of the reportage literature in the 1980 s from the overall political and literary background.It is the time when people were eager to understand the real society that brought up the development of the reportage literature,and the improvement of its own literature is also the basis of its prosperity.At the same time,this paper combs the development of the reportage literature,traces its gradual development of its literary aesthetic implication and establishes in the uninterrupted hero writing about reportage to show the heritage and innovation of "national hero" about reportage literature.The second chapter discusses the rapid development of the reportage literature in the 1980 s,and classifies the "national heroes" from the perspective of the type of the characters.It is divided into four major categories--scientific talents with innovative talents,eurhythmics talents who have won honor for the country,reformational talents who have broken up the old and constructed the new,and outstanding talents who come from the folk.At the same time,it explores the significance of the spiritual model of the characters and analyzes the extensive social repercussions caused by one popular style.Chapter three explains the value of the production of reportage literature in the 1980 s.Its social effect is enormous,the readers feel the emotion influence through reading literary works,and they practice it actively in the daily life.Moreover,the editors also perceived the needs of the times,therefore,they appointed writers to write.The writers gave full play to the subjective consciousness,explored the identity demands and wrote the personality and commonness of "national hero" in the literature works,and jointly promote the development of the 1980 s literature to its climax.The conclusion part analyzes the decline of the "national hero" reportage literature in the late 1980 s and explores the dimensions of its spiritual transformation.