Reportage And "Chinese Story" Construction In The 1980s

The reform and opening up in 1978 prompted China to enter a new era of socialism.Political chaos and economic reforms accelerated the transformation and development of Chinese society.Affected by the wave of reform and opening up,the cultural context of Chinese society has changed.In this context,reportage once became the mainstream of the literary world by virtue of its own literary and news features.Through a rational examination of Chinese society,a distinct national image has been created,a complete and rich "Chinese story" has been constructed,the development of social culture has been promoted,and the main theme of the new era has been promoted.At the same time,it also led the Chinese society to embark on a healthy development path.The reportage content of the new era(1978-1990)has obvious characteristics and changes in the past ten years.The "Chinese story" constructed in the new era reportage has a clear demarcation point and is closely related to the process of social development.This is very worthwhile.Researched and explored.This thesis mainly studies the national image constructed by Chinese reportage since the reform and opening up,especially in the 1980 s,and the relationship between this construction and the "Chinese Story".Starting from the characteristics of reportage and its origin and development in China,by studying the creation of reportage in the 1980 s,analyzing the differences in the "Chinese stories" constructed by reportage in the 1980 s,and then studying the development of reportage in the 1980 s And the relationship between the "Chinese Story" constructed by reportage and the image of the country.The objectivity of reportage makes reportage bear an obvious brand of the times.Reportage led by ideology embodies the national will of an era and becomes the spiritual orientation of an era.From the end of the 1970 s,reportage ushered in the peak of creation,and the opening of a new era prompted new changes in the narrative of reportage.The writers gradually got rid of the previous patterned creation,and scientists and intellectuals once again stepped into people's field of vision.The construction of rich and true "Chinese stories" has become the main content of reportage,and the purpose of the construction of "Chinese stories" is to create a national image with the brand of the times and spiritual orientation.Therefore,the construction of the "Chinese Story" has become an important carrier for us to understand the politics,economy and culture of the 1980 s.The introduction mainly explains the significance of the research in this article,summarizes the current research status of reportage since the new era,and defines the concept of "Chinese Story".The first chapter studies the opening of a new era and the new changes in the narrative of "Chinese Story" in reportage.The transformation of the times has accelerated the transformation of reportage creation,which is mainly reflected in the subject matter,characters and narrative methods.China in the new era is connected with the trauma of the decade of the Cultural Revolution,and reform and opening up are not only reflected in the economic aspect,but also in the spiritual aspect.The chaos after the Cultural Revolution changed society from a blind carnival to normalization.Personal living space and human dignity began to be valued,human living space and spiritual space were expanded,and people were able to transcend the physical level.Realize your own value.The literary nature of reportage was strengthened during this period.The second chapter studies the new era reportage and the reconstruction of national image.China's reform and opening up is a modernization,not only the construction of material foundation,but also the construction of modern culture.The description of the individual in the new era reportage reflects the return of the consciousness of "human".Intellectuals and scientists have become a new national image."Science and technology are the primary productive forces" advocated by modernization provides the spiritual core for the image of China constructed by reportage.As a leading figure among reportage writers in the new era,Xu Chi's creation has become the main material for researching reportage in the new era.The third chapter explores the emergence of reportage problem consciousness and the transformation of Chinese story structure in the new period.Research on the reportage of social issues since the new era,and explore the changes in the spiritual structure and narrative content of the "Chinese Story" in the new era.It analyzes and reflects on the spirit and structure of the "Chinese Story".The "Chinese Story" constructed by the reportage contains the requirements and calls of the mainstream discourse to the times,and reflects the different needs of the nation and the country in different periods.The conclusion summarizes and sorts out the "Chinese stories" constructed in the reportage since the new era from the aspect of literacy.The reportage,imprinted by the times,is not only a mirror of the times,but also a treasure of literature.Literariness has always been an indelible feature of reportage.The special style of reportage makes it an independent literary genre.The creation of reportage in the new era is not only an improvement of the previous reportage,but also an enrichment of the history of literature in the new era.Therefore,the study of the "Chinese Story" constructed by reportage has social value and literary history value.