Study On Painting Theory Of "Rality" And "Empty Scene" By Pu Chongguang

Under the background of Chinese traditional painting theory,the Qing Dynasty is a very important period and the sentiments of the Chinese literati were particularly and deeply been concerned in that time,which can be found everywhere of relevant painting creations and theories.Such as a literati painter,Chongguang Da,who is not only formed his own unique style in painting and calligraphy creation,but also contribute extremely in his theory field.His "Hua Quan" is a Chinese academic painting theory book that has an important academic value and the book described his experience and attainment in creation.Also,his courage and spirit of innovation in this book had been achieved a theoretical expression.The thesis is using Chongguang Da and his theory "Hua Quan" as the research objects,and try to further explore the "Rality" and "Empty Scene " aesthetics in his masterpiece of "Hua Quan".Also,"Hua Quan" is not only illustrates the importance of the pen and ink technique in painting detailed,but also innovatively came up with the idea of built "Reality" as well as to better present the "Empty Scene".In the theory,Da mainly explained how to create a "Reality"by using painting technique in terms of show the close relationship between "Reality" and"Empty Scene".In addition,he advocated that painting should be made on the basis of "Reality"and the "Clear and Empty Scene" aspects could be formed by that and strong emphasis on the importance of "reality".In the thesis,"Hua Quan" served as a starting point and the relevant research is not only to study from the concept perspective,and not only to focus on the "Empty Scene" and "Reality" of painting and the significance of the practice of painting,but also trying to discuss the significance and importance of "Empty Scene" and "Reality" on the painting development of art history in the early Qing Dynasty background in order to try to restore the image of an innovative and original painting theorist.