Collision And Reference——Taking "Tianlu" As An Example, The Diversified Expressions Of National Vocal Music

Composed by Yin Qing and with its lyrics written by Qu Yuan,the song The Heavenly Road is remarkably distinctive with characteristics of the Tibetan ethnicity with the graceful and smooth melody.Through comparing the Qinghai-Tibet Railway to be a heavenly road,the lyrics compliment miraculous scenery of the snow-covered land,express the emotional attachment of Tibetans towards mother land,and successfully eulogize the grace and affluence that Qinghai-Tibet Railway has taken to the Tibetan compatriots.After the release on media,this song became popular among people and received vehement responses.Being widely sung,there are different types of this song that are sung by both the male and female,among which the versions of Tibetan singer Ba Sang and popular music singer Han Hong are the most typical.As a graduate student majoring in national vocal music performance,the author often comes into contact with various singing modes in discipline research and singing.When truly in contact with the song the Heavenly Road,it occurs to the author that the endless charms of one certain song have already been expressed in the wide presentations by people,different versions by numerous participants.Therefore,the author expects to take this song as part of the graduate practice and conducts further research by means of thesis writing.This paper performs analysis of music noumenon involving the song creation background and fundamental structure,lays emphasis on the comparison of the common properties and individual differences between folk style singing and popular music singing,in addition with personal singing experience.Holding on to the philosophy of “absorbing the essence while discarding the dregs”,this paper proposes reviews on diversified development of vocal music,how young scholars inherit and learn from the vocal music learning,and diversified aesthetic experience.