The New Thoughts And Foundations Of The Peking Opera In The Late Qing Dynasty And The Early Republic Of China

Beijing south,due to Shanghai's special social environment--a business oriented economic pattern and to change into cultural thought important-gradually promoted itself to adapt and change,gradually formed the Shanghai Opera is different from the traditional paradigm.Shanghai Opera from content to form,from the operation to the management,are different from the traditional opera.1867 Beijing team to Shanghai for the first time performances by the Shanghai people's welcome,"Shanghai people first,hasten if crazy" Shanghai Opera,is grown in Shanghai as a special social environment in the regional opera genre,is the traditional opera paradigm after setting south by Shanghai industrial and commercial communication,social influence and cultural influence.As the center,in the drama themes,sets,props and other aspects of expression exhibited a strong sense of reform and innovation of the opera genre.It transmits the new social idea,expresses the new aesthetic experience,and guides the new aesthetic trend.The innovation and change is the biggest characteristic of Shanghai opera.Based on the unique artistic style known as "Shanghai Opera",only the summary of new ideas appear in the Shanghai Opera,new ideas through a large number of Opera repertoire to chase the different from the traditional Peking Opera,and explore their breeding grounds and new media,aesthetic nature of the new generation and modern transformation of Chinese the aesthetic culture reflects and influence and communication process and aesthetic experience.The focus of this discussion is that in the course of development of Shanghai Opera,Shanghai Opera new ideas different from traditional opera to it which has brought an important inspiration and change,so that the Shanghai Opera hand reflects the characteristics of Shanghai culture innovation and change,and a new type of media changeable,movies,drama,newspaper etc..On the other hand,reflected in Chinese classical aesthetic culture to modern development process in the transition from quantitative to qualitative and reveals the development of modern aesthetics as the only way which must be spirit,revealing new ideas of Shanghai in Peking Opera and its cultural significance.Second,to reveal the similarities and differences between the traditional and the shanghai.Shanghai Opera because of the special social environment,absorb a lot of western culture,in the traditional opera of the absorption into the new ideas,such as citizens from patriotism to patriotism,from fragrant jade to the women's liberation,which just meet the new idea change of the social environment at that time,women began to pursue their own marriage,their occupation choices independently.Shanghai Opera changed the classical aesthetic form during the period of "harmony" is not true,is to convey the modern aesthetic form in advocating freedom,democracy,independence,liberation and other modern elements.With the progress of the times of Peking Opera in Shanghai flavor and distinctive regional characteristics,and take practical action to drive the spread of modern aesthetic thought and development,with "aesthetic style of seeking truth and realism" leading cultural innovation trend,provides practical reference for the art development of modern aesthetics.The historical role and value of the transition from the new perspective of modern aesthetics to interpret the Shanghai Opera,can help us to stand in the height of aesthetics re recognize its unique artistic charm.Fourth,the significance of the inheritance of Peking opera.Now the industry 4 times,the fast pace of life makes people forget some of the traditional culture,this paper is intended to allow people to feel the charm of culture is being forgotten by us,and the inscription let these traditional cultural spirit return to life.