Ancient Style And Rhyme

The traditional Chinese figure painting has a long history.As a part of Chinese painting,Chinese Ink-Portraits Painting has written an indispensable page in the history of Chinese painting.The freehand brushwork of ink painting is mainly reflected by the structural relationship between writing brush and ink,which is usually performed by the use of lines and the relationship between ink and line,line and line,as well as line and surface.From Gu Kaizhi of Wei and Jin Dynasties putting forward the idea of "embodying spirit in forms",to Liang Kai of the Song Dynasty,until Ren Bonian of the late Qing Dynasty,the painting style is continually innovating,forming a diversified situation.In recent modern times,Xu Beihong,Jiang Zhaohe and their realistic ink paintings have been influenced by western painting.The Chinese figure paintings have changed,and the flexibility of realistic painting and brushwork has changed a lot.In the relationship between ink and shape,during the inheritance and development for two thousand years,Chinese traditional freehand ink paintings,represented by Xu and Jiang,have created new milestones,They have solved the accurate shapes,as well as the vivid relationships between writing brush and ink through the study of ancient traditional figure painting and modern ink painting,in order to achieve the understanding of the essence of classical painting and its application to the modern ink.In this paper,through the collection of relevant pictures and materials,on the basis of copying the masculine figures and figures ink painting,I make research on the modern women as the main part of ink painting techniques in the practice of self-creation from the lines,ink,and modeling of ancient paintings.