Characterization Of The Countess In The Opera "The Marriage Of Figaro"

"The marriage of Figaro" is the most outstanding of Mozart’s three opera in a comic opera,completed in 1786,according to the Italian script by Lorenzo Da Pontel French playwright Beaumarchais’ s eponymous comedy adapted."The marriage of Figaro" is still a major opera staged a number of one of the most frequent opera,a song and the perplexing relations between male and female characters,like wrestling,like emerge in an endless stream tricks and role of the dialogue,many of the audience is still not forget a moment of the classic.The purpose of this paper is the analysis of the music of the countess’ s Aria "ask God to comfort me" and the duet "to be slightly blowing breeze",going from the countess Rosina’s psychological description of characters to analyze the characters of.Then through the role of extending her relationship with global,and play the role of charactersThe emphasis of this paper is on the characterization of the countess and her personality and psychological changes.By playing this role,singing the analysis of her work to pay attention to things,the role of the countess had a deeper understanding of the charm of her art so fascinating.On this basis,to Mozart’s popular opera detailed brief understanding and analysis.