The Opera "The Marriage Of Figaro" In The Role Of The Countess Analysis

The object of this paper is the opera "the marriage of Figaro countess in the role of the character.This is a Italy opera by Mozart,a musician from Austria in 1786.The author of the opera is Bomas,a French dramatist and litterateur.As soon as the opera was put on stage,it was a great echo.Every character in the play became a classic.The author will focus on the role of countess.The article is divided into three parts to carry on the analysis,the first part through the analysis of the opera,with the original story and text dialogue to explore the character of the countess;the second part embarks from the opera angle,with music and stage performance as an example to further explore the countess’ s characters;the third part is to show the author’s own experience for example,to talk about how to create a more vivid Countess during the show.The three parts of the article are advancing and deepening at all levels,from theory to practice,which makes the role of Countess more comprehensive,thorough and rich.For future participation in the work of scholars,can provide reference for the theoretical basis.