Secular Location And Religious Location: The Study Of The Composition Of The White Sand Murals In Lijiang

Baisha Murals in Lijiang not only palaces,temples murals leader is multi-ethnic culture,religious culture embodied representatives.Naxi primitive religion and Tibetan Bonpo culture combine to form a minority Dongba religion.Contact Baisha Murals article raised the spirit of the big screen configuration factors converged Baisha Frescoes involved in the history and culture of ethnic minorities and religious and cultural characteristics of the transmission,at the same time constitute the subject matter from the content,form and color analysis of its composition alluding secular and religious position location relationship.This paper analyzes the relationship between Baisha murals and the relationship with other humanities,and summarizes the historical status of the three religions of Lijiang Baisha Mural in Yunnan Province,which has not been involved in academic circles in recent years.The analyses of Han Buddhism,Tibetan Buddhism,Taoism primary and secondary contradictions.And the integration of the Bon religion in the region to sort out the relationship between the social and cultural disciplines of the theoretical significance.