Research On The Status Quo Of The Stage Creation Of The Three Major Yangge Songs In Shandong

Shandong three yangko dance which is edified by Confucianism has undergone the inheritance and development of hundreds of years.Nowaday,it has been famous all over the world.And it becomes a cultural symbol which reflects the life style and humanristic style of Shandong.It is full of the guilessness and morality of Shandong people.It contains the deep meaning of Shandong culture.Under the common choice of both history and people,three yanko dance has walked on the stage and faced the masses with a new look.It expresses feelings of modern people and externalize the cultural connotion of Shandong Province.The article works as a study subject for the three kinds of Yangko’s stage creation,on the basis of plenty of works,history and research findings,use the basic analytical induction and field investigation of field in historical studies,and try to organize the evolutions and developments of the three kinds of Yangko’s stage creation,take carding and analyzing on the status quo of the three kinds of Yangko’s stage creation and two sides which it brings.In this article,it analyzes and compares the similarities and differences in before and after of the three kinds of Yangko’s stage creation from the performance’s internal and external environment in details,and emphatically analyzed the new road,intrinsic time value,the culture hype,and related industry’s development that the three kinds of Yangko’s stage creation brings,also,it raises the challenges and problems which the stage creation have to face by the limitations of stage and the impact of the market on the other hand,for examples,some problems just like how to weaken the rustic feelings,how to make audience more elegant,how to make the boundaries blurry,how to enhance the theatrics and so on.The thesis takes the 7th to 11 th Tao Li cup dance competition as research objects,and considers the possible problem of three types yangko’s stage creation from the quantities and the proportion.For example,the lack of the experience of actual tour,the lack of real life,and the lack of emotion impetus and creative desire,overemphasis on modern dance and element action remains to be further improved and updated.In this thesis,the author strives to use the instance and research to analyze actual problems.take the existing problem into consideration.Faced with this situation and dual character it brings,how to understand the creation of Three Da Yang Ge on the stage properly and how to foster strengths and circumvent weakness for innovative development and essential tasks which are needed to deal immediately.The author emphasizes the importance of holding the root of the culture,at the same time,he encourages bold creation,comes up with the idea of using elements skillfully,holds the relation among square,class and stage.Besides,explore the ways of cooperation for mutual benefit and common development between Three Da Yang Ge and market.For example,the cooperation with TV media,network media,Internet plus media to achieve harmony and unification between economy and cultural opera.At the same time,it actively advocates deeply rooted and great culture atmosphere’s excellent stage creation of“Shandong intelligence”.Then,achieving the purpose of healthy development with three types of yangko.The thesis encloses all the excellent works as appendix in the end.Although it is not perfect,on the basis of providing theory basis,we hope to make contribution to the research and development of three types of yangko’s creation and folk stage creation.In this way,we can achieve the aim of promoting theatrical Three Da Yang Ge in a healthy way.