A New Vision Of Shandong Three Dayangge In Contemporary

Shandong three Yangko Qilu earth in the most representative of the "living state"folk art and culture of our country folk dance of the most gorgeous wonderful workand keep more complete and valuable intangible cultural heritage. Inheritance andEvolution of Shandong three Yangko after hundreds of years throughout history,transmission Shandong people in the different periods in different stages of economicand political status of the situation, confirms its distinct and unique living customsand mental outlook, carries the connotation of the the Qilu children simple yetprofound and rich cultural history.Shandong three Yangko as a folk festival folk dance forms, its own Baozhan richrural folk flavor and serious Yihuo witty nature of etiquette. Rural Rituals of nature tosome extent but also reflects a carnival spirit with a deep self-entertainment duringSpring Festival, the Village team leader will organize up to the Yangko string Villageexchange performance, we gathered together, singing, dance, presents with one of thegrand pleasure. People Yangko the very life of the inner passion of folk art forms toconvey the passion and wish each other. During the first month, regardless of thestreets, county or village, Shandong Yangko joy of the lively atmosphere everywhere,the Yangko performance teams always steady stream of each of the towns andvillages to pass the most original, the true passion. The Qilu people of the earth to thismyself and others a strong form of folk dance, enjoy to express the love and pride oflife, life, the Qilu this hot and soulful land of the.Culture, where the blood of each other as a nation, three Yangko in which thehighlights of the cultural connotations and spiritual implication is unique and great.Shandong three Yangko a sense, it is not just the importance of Qilu Culture and thespecial part of Chinese folk art and culture form a typical representative, Professor AsQiao Xiaoguang said an invisible folk of the Living Culture . Needless to say, theurbanization process to eliminate the difference and distance of the urban and ruraldevelopment seems to dominate everything, it gives us a great material wealth, butalso has a huge impact on our traditional culture, this massive by rolling diverse artsand cultural reform constitution brought about by the economic tide, and the threeYangko gradually become "vulnerable groups", Shandong three Yangko is faced withthis embarrassing situation, if not step up its protection of heritage or will innovation,they may soon become a cultural traces and end time will be dissipated in the world.Shandong three Yangko is the moment one of the most valuable Chinese Han folkdance forms, not just Baozhan and bears the human spirit and cultural implication ofthe geographical, but also show the people of Shandong province is the most piouslife, love for, Shandong large Yangko close to the most primitive source of life, a verystrong regional characteristics and distinctive ethnic charm. As a folk dance forms andstyles of a particular national heritage and the Evolution of the three major state theYangko survival Chuan Yan in the background of the "urbanization" and "diversity",showing the complex and diverse, multi-cross, three-dimensional shape, the land of itsorigin succession and development, is to retain the native form of the three Younger or native and mutation while merger state. However, for the folk art forms, traced,first heritage, development must be the laws of nature, Shandong three Yangko thenature of law. Therefore, we must look for its roots, dating back to its source,certainly three Yangko premise to identify the defects and weaknesses, analyze thereasons for holding the collation and sound ideas to reconstruct, rather than deny itsall overall abandoned. Modern urbanization, the rapid changes in modern andtraditional strong conflict, the concept art of the East-West cultural collision ofpassion, not only open up sensitive meridians of the urban people, and great peoplearound social, cultural, historical and cultural shake, arts and culture change seemedto be everywhere, Shandong three Yangko to face this situation. The face of theaudience from different ages, different aesthetic tastes of different sectors, differentregions, the face of the blend and clash of aesthetic changes of the new era oftraditional arts and cultural values and modern thinking consciousness, in the face ofthe contemporary pursuit of "modern" atmosphere of aesthetic experience with theblind worship of Western culture, concept of artistic creation, destined YangkoShandong three must be in the process of urbanization in constant change, change andconstant ", enabling it to retain their inherent cultural background and specificinherent in folk charm, but also must be full of the flavor of the times, the aestheticpsychology of the modern and contemporary people.