| Chinese painting after thousands of years of evolution has been the development of its diverse and diverse appearance of endless variety of techniques.No bone method is the Chinese painting in the long process of development,the gradual formation of a different from the "bone with a pen," the unique painting techniques,the source of this technique can be traced back to the earliest pottery on the ancient patterns and caves On the rock paintings,but until the Northern Song Dynasty GuoRuoxu’s "Pictures",was first mentioned in the "no bone" word.During the Tang and Song dynasties,the bone-free method was gradually becoming mature.In the Ming and Qing Dynasties,there was another peak in the development of the bone-free method.There were many people such as Dong Qichang,Yun Shouping,RenBoian and so on.Works on the later development of Chinese painting had a profound impact.Looking back to the history of ancient Chinese painting,we can find that no bone method is more suitable for landscape painting and flower and bird painting.In contrast,the attempt in the figure painting is not common.The development of bone figure is single,.Until the eighties,with the humanistic thought,the value orientation,the great changes in aesthetic tastes,and the collision of Western art and modern Chinese art after the unprecedented prosperity of the background,no bone method in the application of figure painting.Beginning to show the scale,the formation of its distinctive style.In the contemporary era,facing the huge traditional system,the Chinese painting is facing various crises.In the difficult growth of the figure painting,it is inevitable to face more difficult situation,review the application and development of the traditional Chinese painting,And the new class of contemporary ink painting the emergence and growth of bones,hoping to have a more profound experience and understanding of bone method and find no bone method in the Chinese figure painting technique system in the position of their own future creation can play a certain The reference and guiding significance. |