Exploration Of The Bone Technique And Brush In The Figure Painting "Under The Banyan Tree"

"Bone method with brush" is an important painting theory and evaluation standard in the history of Chinese painting,especially in figure painting,which shows the physical characteristics and spiritual temperament of characters through different ways of using pen.In the course of the changes of dynasties and ideological changes,there have been many interpretations of "bone method with pen".Especially because of the aesthetic changes of The Times,the interpretation of "bone method with pen" has changed from "bone method" to "backbone",from "show bone clear image" to magnificent and plump.In the 20 th century,from traditional painting techniques to realism and modern ink painting experiments,"bone brush" has undergone changes and regeneration.In freehand figure painting,it is necessary to grasp the agility and diversity of the brushwork from "bone method" to the expression of freehand brushwork.Through the changes of the virtual and solid of the brushwork and the combination of the density of the lines,combined with the "meaning" of the picture,the artistic conception of the picture is expressed to the greatest extent.This paper analyzes and interprets the narration of "using pen in bone method" in ancient painting theory,and focuses on the historical origin and later changes of "using pen in bone method" from the concept.Through the analysis of the works of ancient and modern masters,this paper expounds the artistic conception expression of "bone method with brush" in the concrete picture from the technical level.The creation mainly carries out creative practice from the three aspects of conception,picture construction and image shaping,so as to explore the feasibility of "bone method with pen" in freehand figure painting to express the artistic conception of the picture by shaping the image,so as to carry out practical research and exploration on "bone method with pen" in freehand figure painting.