Artistic Research Of Boneless Method In Contemporary Freehand Figure Painting

No-bone painting working on "hidden bone line,straight on colorific jobs",using the mystica of the color to replace ink line,vivid expression of the charm of ink.In traditional painting,the development process of boneless figure painting is slightly slower than that of landscape painting and flower-and-bird painting in the same period.Liang Kai and Ren Bonian's development of figure painting is like the darling of the wave,bringing traditional figure painting into a new interface.With the blending of Eastern and Western cultures,social changes and ideological progress,the expressions of figure paintings have surpassed the development of any period.Contemporary ink paintings combine traditional culture with the foreign cultures,blending boneless paintings into freehand figure paintings,and making No-bone painting into an indispensable form of creative content.For example,Tian Liming,Liu Qinghe,Zhou Jingxin,and other painters have summed up the new and development of contemporary boneless figure paintings,and formed a natural,weird and writing painting language to impress the viewer.Study no bone method in the study of contemporary brushwork figure painting art,in the context of have no bones in the traditional method and of no bone method in figure painting in advance is introduced on the basis of the combination of contemporary three representative no bone freehand brushwork figure painting painters of the introduction,absorb no bone method in contemporary brushwork figure painting has the aesthetic value and significance of divergent thinking,and have no bone in contemporary figure painting in the art of painting to the problems.Last combining the influence and enlightenment of the nonbone painting on contemporary art creation.