Micro-repetitive Thinking In Electronic Music

Ever since the last century, the development of electronic music has gone through various stages, and it is based on the product of science and technology. The rapid development of science and technology has provided further possibilities for the composer's creation, and the concept, thinking and means of music creation have also been diversified in their progress.This paper aims to study the micro -polyphony thinking reflected in the electronic music timbre, sound material organization in the electronic music as well as the spatiality of the electronic music, exploring the ways that how the electronic music used the micro -polyphony thinking to develop its own characteristics, thus verifying the effect of the polyphonic thinking on the creation of electronic music in the composition of the traditional acoustic instruments and how to inherit and innovate the theory and method of traditional music creation to make better foundation for the electronic music.Electronic music relatively lagged behind in its theoretical creation and methodological summary, which exerts a negaive inpact on the quality of its works to a certain extent. As for electronic music creation, it is particularly important in the summary and promotion on its theoretical and technological level. If the composer's unconcious practices of music creation was put into the actual music creation with conciousness after making generalization, may there be important theoretical and practical significance for the development and innovation of composition in such two fields as traditonal music and electronic music.