The Study On Idea Of Timbre-acoustics And Compositional Science In Pendenreski's Works Of His Early Music

Krzystof Pendenreski is one of the New Polish genre founders and is the famous avant-garde composer acting on worldwide music field since the later 50 in of 20^th century. From then on awarded as polish medallion for his three works signed in different name at the same time in 1959, Pendenreski had employed his novel idea of timbre-acoustics and art thinking based on the idea and compositional science which were differ from conventional compositional langrage in a series of new masterpieces within about 15 years. These works were almost stirred in universal music field. In another words, it was important and revolutionary influence on tide of west avant-garde school especially from 60 to 70 in 20^th century through Pendenreski's compositional idea, style, science and plentiful productions of that time.This dissertation studied more elaborately on Pendenreski's representational and particular instrument works texts in his early time especially on science viewpoint, and quantificationally analyzed, concluded on the series of science character from the important parameter which is made up of the works such as enunciator, playing methods, pitch, timbre-acoustics etc. and the parameters's practical organizing form in the idiographic work..This dissertation is made of two parts or seven chapters. The 1^st to 3^rd chapter chiefly introduce Pendenreski's life and period of his works, the cause of formation science which made the special compositional style and the history culture background which formed the compositional style. The 4^th to 7^th chapter analyze on idiographic works and dissertate the organizing form in original body of sound at timbre-acoustics in composition, playing methods, pitch, timbre-acoustics etc. The last one is the conclusion which resumptively conclude the compositional style and the character of science in Pendenreski's early works.