The Prison Of Time And The Key To Art - Nabokov's Autobiographical Study

Vladimir Nabokov,one of the greatest writers of the 20th century,was a great master of personalism in the tide of modernism with Kafka,Proust,and Joyce.His famous Lolita,dark fire,Ada embodies its creative ideas and the form of uniqueness,in addition to his autobiography speaking,memory because of its The art of writing is well received.Speaking,memory on the traditional autobiographical form of linear narrative patterns and content on the realism,with the "theme" to structure the text,with collage way to organize their own personal history,with artistic means to build a The image of the transcendent artist.It can be seen that art is the main feature of speaking memory.This article is not only the art of the starting point,at the same time contact Nabokov whole creation,to explore speaking,memory,this autobiography about self and memory of the artistic writing has the meaning.In the first part,the author analyzes the relationship between Nabokov autobiography and his overall creation,and his autobiographical writing and modern autobiography.Secondly,on the basis of comprehensive domestic and foreign research,this paper puts forward the thesis and writing ideas.The first chapter mainly analyzes the nabokov artistic truth view and text construction mode.With traditional biography is different,the emphasis on "real" nabokov openly with collage and fictional techniques of personal history,the artistic truth view embodies nabokov cognitive consciousness in advance,that is real is constructive.At the same time,it embodies the uniqueness of his autobiography writing motivation:not to recall the past,but to go beyond the past.Based on the notion that speaking,memory on the concrete text rendering is different from traditional biography is innovative,this mainly displays in his rhetoric,specifically,that is,the use of metaphor.Metaphor as a rhetorical means,is creative in the autobiography in the text,not only by nabokov used as serial text inherent clues,as well as the means of which the self-image,here,in the form of text creation also became the author’s personality.The second chapter mainly discusses the exemplary and eternal nature of Nabokov’s artistic self-image.First of all,from the performance of self-personality,the traditional self is in the ideological attachment or confrontation in the embodiment of self-uniqueness,this positioning or with a level of superiority,or easy in the confrontation to nothingness The Artistic self-positioning is beyond this limitation,in the joint with the public to achieve self-positioning of the equality and freedom of consciousness.The eternal value of the artistic self embodies the cognitive,consciousness,or artistic imagination of his transcendental value of art,and conveys the relationship of the binary opposition on the other side of the shore,which makes the self transcendence have a certain degree of rationality and the possibility.The third chapter concentrate the relationship between the autobiographical artistic writing and the reader.Different from the traditional autobiography and the formation of the contactual relationship between the reader,which is a one-dimensional "talk-listen" mode.Artistic writing has a dual function of cognition and aesthetics,which makes it impossible for the creator to cater to the public’s mischief in the way of exposing himself to the content,but to create the reader itself and build on it A two-way dialogue.In addition,speaking,memory to express the emotional expression of the autobiography of the text of the emotional dimension,it is in this empathy experience,autobiography and its readers to the most intimate union.The conclusion part analyzes the origin of this artistic writing and the inspiration to modern autobiography.