A Study On The Innovation Of Handel's Orthodox Opera

This article attempts from Handel's Giulio Caesar as a starting point for aria,recitative,ensemble duet?chorus coro?overture of the Italy's opera seria in reformation. Handel's opera creation is often considered to be the classic opera, but it is not difficult to find a real analysis of the works of Handel: "the traditional doctrine is also a genius of the innovator."This thesis is divided into three chapters on Handel from recitative,aria,duet?coro?ouverture:In the first chapter, the reformation of recitative in Caesar. The author focuses on the singing of Handel's creation of recitative in this opera. I consider ariosos of Handel merely has more lyrical than arias,so this ariosos in Caesar also belong to the contents of recitative.In the second chapter, the reformation of aria in Caesar. In opera of Handel, he is not allowed singers to change the dramas .he created,they must be strictly in accordance with his script to sing, this is the biggest breakthrough in Handel's arias of opera seria.In the third chapter, the reformation of duet?coro?ouverture in Caesar. But for the development of the plot has played a role in promoting, and rendering the atmosphere of the opera. Though they can't get rid of the shackles of tradition, for the development of the plot has played a role in promoting, and rendering the atmosphere of the opera,and there is a contact in the overture and the opera.