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Longtan Eight-card Gongs And Drums Blow Research

Posted on:2018-10-14Degree:MasterType:Thesis
Country:ChinaCandidate:C P HuangFull Text:PDF
GTID:2355330536458675Subject:Music
Abstract/Summary:PDF Full Text Request
The eight card is at Longtan and Bayu folk wind of the inheritance and development of the Longtan,there are eight main sets of Qupai,suona,gongs and other instrumental music playing.It is known as the eight Longtan brand percussion percussion.Legend began in the Tang Dynasty,dating back more than one thousand years.Has been widely circulated in Banan,Nanchuan,Wulong,longevity,and southeast area of Chongqing,has a wide range of influence.The skills from generation to generation,in the process of inheritance and development in the gradual formation of a class and Liu Su class as the representative of the Longtan eight most outstanding brand of gongs and drums playing favourites.Longtan eight card percussion gongs and drums have high artistic value,the experts and the masses love.Affected by the regional conditions,eight Longtan brand popularity is narrow percussion drums,by professional cultural workers long-term excavation,consolidation and promotion,the culture and artistry has been recognized universally in all aspects.And still active in all kinds of folk folk activities in the region,such as weddings and funerals,worship and worship,show show,has a rich life,urban and rural culture to meet the needs of the masses culture.From the eight Longtan brand has been assessed as percussion gongs and drums in terms of intangible cultural heritage in Chongqing City,the research is still insufficient,based on the on-the-spot investigation data combined with the collection of local cultural departments of the text data we collected on the eight card playing drums blowing Longtan status and development prospects are analyzed,in order to better inheritance Chongqing folk intangible cultural heritage.The first chapter from the perspective of the historical development of the Longtan eight card sorting and percussion drums,and through the ancient literature,demonstrates the ancient percussion associated with the impact of its brand to eight as the representative of the Longtan and chongqing.The development of the status quo and protection measures for a certain amount of practice.The second chapter introduces the eight cards in the Longtan percussion instruments and percussion instruments,the production process and each kind of musical instrument in the music while performing their role and playing techniques are described.By comparing with other commonness and individuality of Bayu percussion instrument,summed up the eight card playing drums blowing Longtan research value.This paper classifies the modern music score,and analyzes the composition of the eight drums and gongs and drums.The third chapter from the perspective of cultural ecology,through visits and inheritance of local music class Longtan oral finishing,a comprehensive introduction to the modern period eight cards a variety of folk percussion gongs Longtan cultural function bearing,to research on the part of the folk custom activity program.And playing favourites practitioners in a class society,inspect the norm.The conclusion part mainly aims at the current survival situation of Longtan and puts forward eight brand gongs and hope some suggestions.
Keywords/Search Tags:these eight cards and the historical development of Longtan, music composition, ecological culture
PDF Full Text Request
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