A Study Of The Contemporary Porcelain Music Composition

This thesis takes Jiangxi porcelain music composition, which is partof contemporary porcelain music composition as research object.Thisthesis is divided into three sections. It is composed of the origin andhistorical development of porcelain music, contemporary porcelain musiccomposition and how composer to combine modern composition techniqueswith traditional porcelain music together. I put forward countermeasuresand thinkings for these three sections respectively. The thesis belongsto ethnomusicology and focus on study of jiangxi porcelain music whichincluding cultural exploration of porcelain musical instruments, jiangxiporcelain music spread area and porcelain music works analysis, reformand development of porcelain musical instrument. This thesis has multiplefeatures of which are shape and structure and sounding research ofporcelain instruments, analysis of porcelain music style and composingtechniques, cultural development of porcelain music etc..The foreword made simple introduction of porcelain music,explainstheoretical and practical significance of this thesis, summarizesdomestic research status, presents research difficulties,researchmethods and problem solving methods.Constitution of band explains the basic band formation, moderate formof the participation of traditional instruments, etc. The third sectionanalyzes composition situation of contemporary porcelain music,combining existing music score example and data to present two extremephenomenon, and compared with the parallel arts of the same era to examinethe origin relations between porcelain music and other kinds of musiccategories, and the deep factors of various art forms each other blendphenomenon, put forward building based on local porcelain music culturepoint of view.The first section is the origin and historical development ofporcelain music, which tidy up the development course of porcelain musicand discuss it in three stages according to the historical developmentprocess: The Ancient Age–Golden Age–Modern and Contemporary Age.This section put forward the feasibility and necessity of reformaccording to the characteristics and research of the porcelain musical instruments. The second section analyzes and researches music scoreexample of contemporary porcelain music composition, analyzes theporcelain music writing, the composition of the band, professionalcomposition of contemporary porcelain music. By applicating actual musicscore example to music melody and music ingredients,rhythm and nationalcharacters of musical structure,and combine with formation of band toanalyze porcelain music composition. The formation of band explains basicband configuration, proper engagement of traditional music instruments.The third section analyzes the current status of professional compositionof porcelain music and figured out that two extreme phenomenons ofporcelain music composition by combining existing music score example anddata. By comparing to parallel arts at the same era to examine theconnections between them. I raised a point to build up local porcelainmusic culture by researching the connections between porcelain music andother music styles.