| Chinese theatre is in the prosperous period at the present stage,the performance and the audience reached an unprecedented level.Since the 2000s,the type of performance in Beijing has increased year by year from the performance style,paradigm,the numbers,rehearsals and the spread.The emergence of these phenomena,stimulates the traditional stereotypes of the status quo,and corrects the prejudice against the Chinese traditional theatre performance to a certain extent.Therefore it is vital to re-analyze the status and position of theatrical performances,re-examine the Chinese traditional theatre performance in the contemporary culture and the current problems and challenges.This dissertation focuses on the analysis of the status quo and the present study of the real situation of Chinese traditional theatre performance in Beijing area,especially after the reform and opening up to the present(1978-2017).This dissertation explores the ecology of Chinese theatre performance in Beijing.The research is divided into four phrases.The first phrase gives an explanation of the meaning of doing research on this topic clearly defines the definition culture ecology,the material that is used in this article,and general situation of research on this topic.The second phrase sums up the present situation of the performance environment,analyzes the three major mainstreams of Chinese traditional theatre performance in the past three decades from the perspective of creative subject matter and type.The third phrase analyzes the external environment of the development of Chinese traditional theatre performance from the angle of marketing and related policy.Finally,it summarizes the characteristics of the Chinese traditional theatre performance in Beijing area,analyzes the present conflict of ecological environment existing conclusions of the existing problems and strategies and strategies,and propose solutions,from the creation to the final performance presented at all stages. |
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