Faust's Screen Image Research

In 18th century,the German rise of the "surge" of literary movement,movement and the enlightenment is the humanism after deutsche third movement for the emancipation of the mind.This movement lasted until the middle of eighty s,history of 15 years,"Faust" is the product of the "surge" campaign.In the history of literature,Faust is undoubtedly a great heights.Faust richness of image and the connotation of its diversity attracts various countries artist goalkeeper onto the stage and screen,there is no lack of among them many good works,even in the 21st century today,they are still full of infinite vitality,we still can feel from the appreciation each spirit of The Times.In this paper,from the selection of Faust film based on a series of German director friedrich Wilhelm MAO nao Faust,director of the Czech jan Shi Yunmei "Faust and the Russian director Alexander suo library rove Faust which three of the most representative works.The first chapter starts with the characters of Faust,analysis of the literature and the film adaptation of series of Faust Faust's image in the image.It is concluded that Goethe's Faust represents a natural desire,including sensory desire,power,desire and desire for freedom.Murph and Faust and the devil conflict is between good and evil,affirmation and negation of conflict.MAO nao shaped the basic with Goethe's "Faust"Faust,and benefit for human ambition is different,is love saved the Faust.Jan Shi Yunmei and the shaping of Faust is ordinary Czech citizens and be manipulated puppets.Alexander cable library rove shape Faust is an impoverished university professors and doctors.The second chapter analyzes the narrative structure of Faust.Mau naumann film motif is from "physical desire" tells the story of Faust to the sublimation of desire"spirit",and finally the highest-ranking,completed the "he" to "save" the transition.Mau naumann film motif is to save,it is a kind of typical u-shaped structure:corruption,confession,rescued.Jan Shi Yunmei "film motif is a kind of political fate,characters from a real escape from the reality,finally killed in reality,is a kind of circular structure.Alexander cable library rove film motif is the eternal pain and loneliness of human spirit,whether material or sensual,human beings can get rid of the entanglement of the soul.The film through death to explore the essence of survival.End is a kind of open structure:from the question of I to lose yourself,to go to the superego.The third chapter focuses on the style characteristics of "Faust" based on a film.Goethe's "Faust" is Germany advocated the spirit of sports and the dual combination of enlightenment,the pursuit of rational spirit,mau naumann film is a kind of typical style of German expressionism,jan Shi Yunmei and with surrealistic film technique to show the Czech special historical background.Alexander cable library rove in the film explores the Freud's psychoanalysis theory of id,ego and superego,shows the suppression of money and power to the person.In 18th century,the Faust has represents the crystallization of the "surge"campaign,inspiring a whole generation of people struggle,however,the modern film was not possible like Goethe coruscate gives calls on the influence of The Times,because the whole ethos of the era of the qualitative changes have occurred.What human beings rely on to save?After the great ambition of depend for human benefit,to the love of forgiveness and redemption,the soul is controlled by the world,and is not controlled by the people themselves.Finally satisfied even desire and love also cannot get the redemption of the soul.It shows from the 18th century to the 21st century,the human spirit has been irreversible change.