| Growing in Zhejiang Shaoxing has lived abroad for many years Mu Xin,whether as a "new writer" or "old writer",have been a lot of controversies.Mu Xin’s identity is unique,the era of his life and the acceptance of literary literacy is unique.Adhere to the borders of humanities and freedom,challenge the popular discourse and the world bound and so on,making Mu Xin seem out of tune with the contemporary mainland literature order.The self-proclaimed "writer Robinson" writer,in the face of long-term diaphragm,his prose world,is also filled with personal life mark the inherent contradictions.This article from his widely loved by readers,but also his achievements in the most prose to start,does a whole analysis.From Mu Xin and its text,glimpse the contradictory nature of thought and art.Analyzes the origin,manifestation,transformation and settlement of Mu Xin and his prose contradictions,and explores the literary imagination and artistic creation of the final burst of his prose.To open the text to achieve the spiritual space,and then understand the Mu Xin prose,as well as reflected in his contradictory cultural phenomenon.In the first chapter,the research background,the construction of chapter,the significance of research and so on is summarized,which shows the structure and innovation of this paper.The second chapter discusses the inherent contradiction of the wood Mu Xin and its prose,that is,the image of "lyrical wicked" and how this contradiction is generated.The third chapter is the discussion of the extreme transformation of the inner contradictions of the Mu Xin’s prose.Prose to the heterogeneity of language experience,the diversity of style and style of the daily reality of the experience to break,making the heart of the "avatar" in the text through a unique form,better access to the spiritual nature of human activities.Prose with imagination of the bridge so that contradictions into a new aesthetic experience,to explore another possibility of imagination.The fourth chapter is the result of the three parts of "Qin" "Cheng" and "turn" in the first three chapters,and the final solution to the inherent contradiction between the self and the prose.He imagined breaking through the inner contradictions and external"separated",at this time,imagine the other may be his search to contend with the real world imperfect power.This chapter explains the possible connotation of the imagination of the wood,and studies the possible dilemma that this may face,... |
