This thesis induces and explains women's "run away" in late Qing Dynasty's literature in the perspective of sex imagination and feminism, discusses male intellectuals' complicated ideology, "female mock state" and hesitation in speaking out for the women's rights, in the roles of leading late Qing Dynasty women's liberation movement. At the same time, this thesis explores how women writes as recipients and beneficiary, receive and participate in the construction of this movement, and upsets and radical factors in the process of accepting women's identities. From the liberation of bodies to feminism and ideals to save the nation, the imagination of women's "run away" in the late Qing Dynasty literature was co-worked by both males and females.
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