Melody Borrowing In Western Music And Its Meaning Analysis

The tune to borrow(himself to borrowing),refers to the works into pieces of music.Composers in use in the creation of the tune comes mainly from classical music works,and widely circulated folk music.In most cases,the composer who will pick the well-known and has relative independence melody fragment,may also be only borrowed the theme of the music,rhythm,harmony.Tune to borrow at seventeen subordinate concept can be divided into four types,namely as a fixed rhythm completely,as the music theme completely,as motive imitation of similar type and as additional type and theme.The body of the thesis consists of three chapters: the first chapter of the tune to borrow at seventeen subordinate concept definition,and classification;The second chapter through to the four types of borrowing under the four representative music works in different periods of the tune to borrow technique analysis;The third chapter USES different period composer tune to borrow methods for analytic functions and the significance.Tune to borrow the composer recognizable tool made from potential audience will be brought into consideration,the early medieval and Renaissance,the composer in mass writing a lot of use in whatever as a fixed text song melody creation,with each part of the mass is united,composers use the tune to borrow more during this period is for religious ceremonies and practical function,Classical romantic period.