The Interpretation Of Abstract Expressionist Painting In The Practice Of Creation

In the development trend of modern and contemporary art,Abstract Expressionism still occupies a pivotal position and keeps a mysterious situation in the history of art.Due to the common attitude among ordinary audiences escape from Abstract paintings,and the limitations of the author’s understanding of Abstract Expressionist painting in practice.The author hopes to further explore the issues related to Abstract Expressionist painting through the research of subject.From the interpretation of concept of Abstractionism and Abstract Expressionism,and comparison of them,we can understand the nature of the concept of Abstract Expressionist painting;To discuss in detail through the analysis and reference of the ideas and experiences of the generation artists,combined with the personal practice process and own way of thinking;In the end,About thinking of Abstraction and Abstract Expressionist painting form the author’s errors in practice and limitations in her understanding:How to better understand the Abstraction painting,the development of Abstract Expressionist painting in China and its prospect.The part of personal creative practice in article,which mentions the infiltration and coverage of pigments.This is a little bit personal approach,which is mainly concerned with the relationship between the color layer and the color layer.It will be specifically explained in the article.The author want to show how to discusses the Abstract Expressionist painting in practice by this way(through the use of materials in the three series):To experiment with infiltration and coverage of pigments in series of "Tide in the Valley";To use with infiltration and coverage of pigments in "Less is More,Nothing is All ";To apply with infiltration and coverage of pigments series of "One".Finding problems from practice,then in order to solve this problem arising from the limitations of understanding,the author decided to study concepts.