An Analysis Of The Feasible Ways Of Chinese Classical Dance Body Into The Creation Of Dance Language

Chinese classical dance teaching has always been a process of classroom training to the use of the stage,so the teaching of the two core courses \ "gihon\" and \ "body charm\" will become the reality factors for stage performance is likely.For example \ "gihon class\" for the stage performances,drama performance provides a basic quality and ability of actors,this is we have been pursuing for the teaching purpose of stage performance to provide advanced talents;\ "Body charm lesson\" in my opinion to the content of the two aspects,one is it for the actors understand the language features of the traditional Chinese vocabulary provides a specific posture of combination,and through the combination of body charm training,preparing for stage performance,but the most important is it for the actor physical training out of a traditional dance under the dynamic and aesthetic feature provides solid confirmation.The second is \ "body charm lesson\" provided the basis of dynamic material as well as the main teaching material is a typical action,by the traditional formula of aesthetic synthesis,such as screw pour round curve and three circles;God led shape and vivid,xingshenjianbei;Shape three,strength six or eight mind,intangible ten;Again intentional and parataxis,meaning and spirit,gas and force,force and hypotaxis;And did not move,he first,have the check,the law of god more than the performance of mental;From heart in the body.Through of the traditional aesthetic law formula,combined with the basic elements of training,the backbone of teaching materials and teaching material of dry training,finally form the phrase combination,it is not just for the base training makes up the defect id and aesthetic training,as well as Chinese classical ballet creation provides can be used in the action of material,this thesis is through the body charm core backbone material in a typical action in the textbooks,make thorough research and discussion,the final formation of the main from the traditional action enters the stage the feasibility of language expression way,to broaden the development of Chinese classical dance language category,for different aesthetic perspective,the perspective of thinking creation stage for the expression of vocabulary.