The Exploration Of Chinese Classical Dance Performance Art With Reference To The "Shi's" Drama System

Stanislavsky(1863-1938)was an actor,director,and theater educator.The theater system established by stanislavsky was the result of his continuous teaching and practice.Since stanislavsky established the "system",for the actors,the law of character shaping has been found,and this method can be used to cultivate the actors' acting ability.Practice has also proved that this method is effective.In addition,China's performing arts are also taught and expanded based on the stanislav system.It can be seen that his "system" is of great value to train actors and stage performing arts.Looking back at the construction and development of the performing art of Chinese classical dance,it was closely related to opera at its birth due to the historical fault or cultural environment of the noumenon.while the opera reform also went through the stage of learning the si system,so there was a source between them.The development of contemporary Chinese classical dance performance has also experienced the process of starting from opera and gradually breaking away from it.After the appearance of body rhyme,it began to break away from "drama" and gradually move towards "dancing",emphasizing "independence",which is undoubtedly the development and progress of Chinese classical dance performance art.In the face of the increasing spiritual and cultural needs of the people,Chinese classical dance itself also carries the characteristics of spreading the traditional cultural spirit,so it is necessary to reflect on how to further improve the performing arts of the actors.What kind of aesthetic thinking should we have?Therefore,this paper explores the performing art of Chinese classical dance from the perspective of "si style" drama system,hoping to get some enlightenment from the perspective of other performing arts.The first chapter is "introduction".The author mainly through the review of a large number of literature,analysis of the topic of the paper's reasons and significance,the status of the relevant research and research methods and innovation.The second chapter discusses "the general situation of schlesinger's dramatic system".Firstly,it introduces his artistic enlightenment and formation.Then,it explains its main artistic characteristics,mainly from the actor's external and internal cultivation.As the formation of its artistic characteristics is inevitably inseparable from the corresponding aesthetic thoughts,the main aesthetic thoughts are finally explained.The third chapter is "overview of Chinese classical dance performance school".Under the previous chapter's attention to the relevant arrangement of the "si style"drama system,this paper first defines the concept in the evolution of Chinese classical dance,then discusses the artistic characteristics of the body and rhyme school,and finally introduces its aesthetic pursuit.The fourth chapter is "the relationship between the system of sri drama and the performance of Chinese classical dance".Firstly,it defines the common "performance"attribute between the two,then discusses the differences between the noumenon from three aspects:the external action attribute,the inner verve and the aesthetic culture,and finally,it discusses the commonness of the two aspects:the historical origin and the essential skills of the actors.Here,it is expected that it can pave the way for the specific reference of the next chapter.The fifth chapter is "the inspiration of si style drama system to Chinese classical dance performance".This paper discusses how to correctly understand and apply the"shi shi" drama system from three aspects,starting with the basic performance quality of the actors,then the role image building and finally the aesthetic thinking of the art.