The Interpretation Of Traditional Chinese Architectural Roof Elements In The Design Of New Chinese Furniture

Furniture as a daily necessity that can directly affect human feelings from the people's senses,the style of it can usually reflect a country,a nation from the side of the art taste,it's a kind of tie-in with the national art of painting and calligraphy emotional appeal,it is everywhere to be seen to us in the process of human civilization.People often say that the lever that leverage the spiritual pursuit must come from the economic development,from the early stages of reform and opening up to the west blindly chase after hold in both hands,until now people began to pay attention to the return of Chinese cultural thought and release,the enhancement of national self-confidence and cultural confidence caused the change of new Chinese style furniture is also quietly changing.Traditional Chinese architecture and Chinese furniture is connected from the earlier times till now,whether it is a traditional Chinese style or it is the development of new Chinese style furniture is inseparable from the learning and inheriting of traditional Chinese architecture.Appears with the construction and the formation of the furniture and along with the advance of architectural skill.From the caves that the ancient people lived in and compose the wood nesting of the original furniture arise,furniture is changing constantly obey to the people's different lifestyle in different centuries and the changing of living environment.This research starting from the background of “ The Popularity of Chinese Culture'' and let the Chinese traditional culture be the breakthrough point,the reconstruct fusion of traditional Chinese architecture roof element in the furniture as the main research contents and strive to explore new Chinese style furniture in the design of the relationship between context and innovation to find out a new recognition and understanding of Chinese style furniture.The full text is divided into three parts to elaborate.The first part uses a historical degree as the start,from the development of traditional Chinese architecture and art form features,roof style and roof form three aspects to conduct a comprehensive analysis of the related concepts in the understanding of traditional Chinese architecture,on the basis of the brief analysis of the development of Chinese traditional architecture from appeared to until the mature historical process,and respectively from Liang Zhushi architecture,architectural decoration art,architectural culture and the political ethic relationship analysis of Chinese traditional architectural art form,on this basis,on the roof of traditional architecture in different styles,and form characteristics were expounded,in view of the theory of feasibility and theoretical support for this scheme.The second part in the new Chinese style furniture on the basis of studying the inheritance and expression,from three aspects,material,craft,modelling in combination with the project design is discussed,in order to practice in the design of context in the process of looking for new Chinese style furniture design on the basis of cognition and understanding.The third part based on the basic research on theory and practice of the "magic words" series of furniture design in detail,from the inspiration of the design,detailed analysis is given priority to with modelling the traditional Chinese architectural roof element in the furniture design in the reconstruction and regeneration,the reconstruction of roof element fusion at the same time the traditional Chinese painting is blended in among them,also soft also just,also empty also reached between solid fusion symbiosis of the two,in the form of mix build the Oriental artistic conception,make furniture can show a kind of poetic flavor in China.In the end,the practical application of the whole series of furniture is studied,which can be widely used in different fields while satisfying its functional and practical application.The subject through the furniture design of the actual case of new Chinese style furniture design new exploration: roof element deconstruction restructuring into specific Chinese symbols and the deductive again,hope to pass a new perspective of modern design to convey the size of the traditional Oriental culture,to break through some of the limitations of the present new Chinese style furniture market,increase in the cognition of Chinese traditional culture,at the same time,on the basis of the traditional elements in the traditional context scattered restructuring,with modern design language conveys a state with Oriental aesthetics of life.