| With the development of society,high,efficiency living conditions have made people's interest in receiving high technology more often than the original manual weaving techniques.At present,the handicraft weaving skills of ethnic minorities in China are on the verge of ext inction.Former U.S.President Richard Nixon issued a book in the 1980 s called "1999,Win w ithout War." In the final part of the book,Nixon said: "When one day,the Chinese "young pe ople" no longer believe in the teachings of their ancestors and their "traditional culture," Ame ricans won without fighting.This kind of thinking makes us young people think deeply,this is not a joke.If it is not accepted and inherited from the heart,it is feared by many years old rea l old people traditional hand,weaving.There are few artists left.In recent years,with the call o f the country,there have been many professors,scholars,and other related national cultural di ssemination and heritage lovers.Although there are a lot of people studying and there are so many published papers,how many people really understand and inherit traditional skills? It is hoped that every young scholar will be responsible for his own efforts and save his national c ulture.As the local native of Longshan district,Wuling Shan,the author has more responsibili ty and obligation to inherit and carry forward the Tujia traditional culture.It is not only the im mediate graduation design,but also the future life path that hopes to be more practical to inno vate and develop the Tujia brocade.Culture(Tujia brocade is "Silankapu").Under the guidance of the tutor,continuous collection of information,access to histori cal documents,field surveys,and practical practices on the ground,a comprehensive understa nding of the Wuling Shan Tujia brocade traditional pattern status,pattern classification,weavi ng skills inheritance,and orderly The Wuling Shan Tujia traditional brocade patterns and wea ving techniques will be illustrated in detail.For the latter to study Tujia Brocade pattern and weaving process researchers provide first,hand information.The analysis and practice of the t hird chapter survey in this paper has created a successful case of Tujia brocade patterns used i n modern commodities,and is a commercial rule that traditional handicraft can survive in mo dern society for a long time.The article establishes a scientific,practical,systematic,detailed pattern of the traditional pattern data symbol table and process structure.The latter stage of de sign production is the result of many years of field practice by the author.Patterns are used fo r reference,application and innovation from traditional Tujia patterns.Patterns are contrasted,colors are repeatedly matched,and techniques are used to manipulate a series of traditional patterns and modern clothing.The combined display.In the last part of the third chapter of the writer,I studied how to draw upon and apply the traditional pattern of brocade in a scientific a nd reasonable fashion in modern dress design,produced a series of exquisite traditional patter ns,tried to intervene in the design of modern high,set dresses,and promoted the design of con temporary Tujia national costumes.In order to increase the level of modern Chinese national costume design.Nowadays,under the influence of the globalization era,our traditional culture is on th e verge of being rejected and forgotten.The author has divided the traditional patterns of tradi tional Tujia brocade into seven systematic data symbol tables and the idea of constructing technological structure diagrams.The generations studied the Tujia brocade but a nd they just filled up the current few or incomplete data vacancies.Only by deeply digging int o the details of traditional culture can we grasp the characteristics of traditional culture,truly c ombine inheritance and innovation,and do our part to protect intangible cultural heritage.At t he same time,we hope that more young people who love national culture will participate in it. |
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