The Influences Of The Idea Of "Taking White As Black" In Traditional Ming-style Furniture On Modern Furniture Design

Furniture product design is an important branch of product design system.Among them,Ming-style furniture is very representative,with a simple,natural and elegant atmosphere style,which can fully display the humanistic flavor,craftsman spirit,cultural connotation,aesthetic details and characteristics of the times.To study the application of the theory of "counting white while blackness" in Ming style furniture,and "using the past for the present" combines the traditional aesthetic spirit with the needs of modern life,explores the new direction of Chinese modern furniture,and leads the unique Chinese style to continue to inherit.On the basis of collecting a large number of documents and physical pictures,analysis and summary are made.It is concluded that under the guidance of traditional Chinese cultural thought,"planning for white while blackness" is a unique artistic theory and aesthetic concept formed through long-term artistic exploration and practice,which is an important means of creating space and shaping shape.Paying attention to the layout of reality,space arrangement and composition are the aesthetic concepts and creative methods of art that have been spread to this day.Starting from the theory of "planning white while blackness",this paper combines the traditional Chinese philosophy and culture and aesthetic value.According to the aesthetic theory of "counting white while blackness",we excavate the deep connotation of the concrete form and spiritual connotation of the corresponding virtual and real space,form and meaning in furniture art.White habitat,rising to the pursuit of artistic conception,"white" shows the realm of emptiness,and emptiness is the special artistic conception of Oriental art.Combine the "blank" artistic technique with modern furniture design,and show the characteristic Chinese style.