Study On The Communication Of Folk Paper-cut Art In Zhangzhou And Taiwan From The Perspective Of Cultural Ecology

As a representative folk culture in the Fujian and Taiwan area,the folk art of paper-cutting has evolved uninterruptedly for thousands of years.Under the historical framework of the "Intangible Cultural Heritage" protection movement in 1993,Zhangpu County of Zhangzhou City was awarded the "Hometown of Chinese Folk Art(Paper Cut)" by the Ministry of Culture.Zhangpu Paper-cutting in Zhangzhou City was used as the "Chinese Paper-cutting" in 2010.The project was recognized by the UNESCO as a non-material cultural heritage of the world and it was on the international stage.It has become a symbol of local art and Chinese culture in the foreign exchange of Zhangzhou.The works of paper-cutting artists in Taiwan have won a number of awards on the international stage.With paper cutting,they have a place in the fiercely competitive art field.This article attempts to comprehensively analyze and contrast the cultural ecology of the folk art of paper-cutting in Fujian and Taiwan from the perspective of cultural ecology.It seeks the changes that the internal logic of ecological environmental and the evolution of folk paper-cut art;through comparative analysis,expert interviews,field surveys,etc.This paper analyzes the current transmission difficulties of folk paper-cut art in Fujian and Taiwan from the perspective of communication science,and reveals the successful experience through the comparative analysis of the two places,hoping to seek the sustainable development path of the folk art of paper-cutting in Fujian and Taiwan.From the relationship between the folk art of paper-cutting in Fujian and Taiwan and its ecological environment,the development and changes of the natural environment and social and cultural environment are closely related to the survival and development of the folk art of paper-cutting in Fujian and Taiwan.From the perspective of the balance and imbalance theory of cultural ecology system,with the changes of the social environment,the cultural and ecological environment in which the paper-cutting art of Fujian and Taiwan depend on the changes.It is inevitable that the folk art of paper-cutting arts in Fujian and Taiwan in this process has become out of balance.To restore the folk art-cutting art ecosystem in Fujian and Taiwan to a balanced state,it is necessary to do well in the following three relationships:First,handling the relationship between tradition and modernity well.On the basis of inheriting traditions,constantly adapting to the new cultural and ecological environment,enriching the cultural connotation of paper-cutting and integrating new cultural elements,so as to seek a steady state between tradition and modernity;secondly,to handle the relationship between protection and development.The diversity of cultural ecosystems and the balance and stability are the soil on which the folk art of paper-cutting in Fujian and Taiwan depends.It is also an organic soil to protect the stable art of folk paper-cutting in Fujian and Taiwan.The development of folk paper-cut art in Fujian and Taiwan provides services for the inheritance and protection of paper-cut art;In order to handle the relationship between locality and internationalization,the folk art of paper-cutting in Fujian and Taiwan evolved based on the natural,historical,folk custom and humanistic environment of the region.It has a strong local personality,and the two regions inherited the process of developing paper-cut.We must pay attention to the protection and succession of local personalities and forming regional representatives.At the same time,we should show Chinese art culture in the international stage.