A Study On The Instrumental Design Process And Contemporary Value Of The Tang Dynasty’s Tang Dynasty

The 21 st century is an era in which science and technology and cultural information are shared.To realize the great rejuvenation of the Chinese nation’s civilization,we have to explore,recognize,protect,and inherit the everlasting artistic heritage in history.This is our generation.The sacred mission to perform.Fortunately,among the long rivers of historical development,cultural gems created by pioneers have been fortunately treasured and guarded in various ways.Most of the Tang Dynasty musical instruments that are currently stored in Japan’s Nara’s Shogakuin are preserved due to frequent cultural exchanges between China and Japan since the 8th century AD.Musical instruments developed into a prosperous situation in the Tang Dynasty.According to the records of the “Yue Fu Za Lu”,there were nearly 300 kinds of musical instruments in the Tang Dynasty,and there are 18 kinds of instruments in Japan’s Zheng Cang Yard.Among them,the vertical pipa and Wusheng are nowadays.The only physical specimen that exists in the world.Since the founding of New China,the national musical instruments have done a lot of effective reforms in terms of function and performance.However,many of the traditional styles and crafts have been abandoned,and the excellent traditional crafts of many national musical instruments are on the verge of extinction.At the same time,researches on the instruments of Shozakura at home and abroad are mostly focused on music history,musicology,arts and crafts,etc.It is not yet clear that there are cases starting with modeling and craftsmanship,and there is relatively little research on modeling,craftsmanship,and contemporary values.This article takes the Tang Dynasty musical instrument collection as its research background.It mainly studies the following four aspects.First of all,this article starts from the origin and evolution of the development of Chinese musical instruments and takes time as the axis to describe the characteristics of the development of musical instruments in different periods.Afterwards,a specific study was made on the classification of musical instruments,and Dunhuang murals were the object of study to ascertain the historical context of the development of musical instruments.Secondly,a large amount of data collection and analysis was performed on the instruments of the “Zheng Cang Yuan” Tibetan-Chinese Tang Dynasty musical instrument.The detailed analysis was conducted with the examples of the collections of the Tang and Song dynasties.The instruments and culture of the Tang Dynasty musical instrument were preserved.the height of.Then the instrument’s shape and craftsmanship were introduced in detail and analyzed.Through physical mapping data and literature collection,virtual restoration of the researched physical objects.Thirdly,it seized on the decoration and carried out a large amount of data collection and analysis on the instruments of the “Zheng Cang Yuan” Tibetan-Tang Dynasty instrument,analyzing the features of patterns,patterns,colors,and techniques,and analyzing and studying formal languages.Research enamel lacquer technology,snail enamel technology,gold and silver flat stripping and plain weaving process,carving process,etc.From the point of view of musical instrument modeling aesthetics,tap the aesthetic value,cultural connotation and technological means of the traditional national musical instrument craft.Finally,based on the research on the shape and technique of the instruments of the Tang Dynasty in the Tang Dynasty,this research project compares the use of objects and environments of the ancient and modern musical instruments,music styles,performance methods,processes and costs,and manufacturing technology evolution.The analysis made an evaluation of the application value of traditional elements of the Tang Dynasty musical instruments in the "Zheng Cang Yuan".Through absorbing the aesthetic value of the Tang Dynasty musical instruments,the application,feasibility study and innovative practice plan of the contemporary national musical instrument in shape system and technology were proposed.The value of the modeling and craftsmanship of the Zheng Cang Yuan instrument is inherited in today’s heritage.