The Application Of Eight Auspicions Elements In Tibetan Tourism Cultural Derivatives

The content of this creation is the application of Buddhist Baruixiang elements in Tibetan travel picture books.Taking the Buddhist Baruixiang element as the research object,based on its cultural connotation and modeling semantics,deconstruction analysis is carried out and applied to the design of Tibetan travel picture books.This paper probes into the cultural and aesthetic needs of the development of Tibetan cultural tourism products,studies the evolution of totem aesthetics under the influence of environment and belief factors in different periods,and summarizes the corresponding aesthetic characteristics and laws,which serve as the guidance of the tonality of the creative style of the picture books.To explore the semantic relationship between Tibetan folk culture and Buddhist cultural elements in the belief environment,and to use the Eight Ruixiang elements as a link to transform the two by means of metaphor and grafting,to show the cultural impression and connotation full of divinity and poetry in the mixed state of Tibetan belief.Firstly,the background,purpose and significance of the research are summarized from the point of view of the design of literary travel products,and the present situation of the development of Buddhist cultural travel products at home and abroad is briefly described,and its success is analyzed,and the advanced development experience is drawn from the point of view of the design of the literary travel products.Secondly,by sorting out the types of Tibetan cultural tourism resources and analyzing the characteristics of Tibetan cultural tourism resources,the author summarizes the conclusion that Tibetan cultural tourism resources are complicated,rich in levels and of great potential for exploitation.Finally,this paper investigates the present situation of Tibetan folk tourism and Buddhist cultural tourism,and focuses on the application of Tibetan Buddhist eight Ruixiang elements in cultural tourism products,and draws a conclusion.Tibetan language travel products lack of in-depth cultural excavation and the appearance of innovation.In the part of theoretical research,firstly,the author summarizes the concept and context of the elements,expounds the profound Buddhist connotation of the elementsand the new connotations given in the folk life,and makes a theoretical analysis of the artistic language of the eight Ruixiang.Secondly,the historical origin and characteristics of Tibetan folk totem and Buddhist totem aesthetic formation are described in detail,and the reasons for the change of aesthetic concept in cultural conflict are summarized and analyzed,and the important features before and after their fusion are summarized.Finally,this paper studies the motivation of the development of Tibetan language travel product creation,respectively from the Tibetan traditional folk culture and Tibetan Buddhist cultural elements of the dimensions of development methods and ideas to carry on the relevant theory.Integration,analysis and reasoning overview to provide theoretical guidance for the subsequent creation of picture books.Creative practice report,including creative elements,creative language practice,creative elaboration and analysis of creative value.In this paper,the author explains the artistic process of modeling,meaning,spatial expression and color texture of the eight-Rui-phase elements.Based on the moral of the elements in the picture,this paper focuses on the ways and methods of the innovative expression of the image in the picture,and makes a reasonable analysis of the inner relation of the eight-Rui phase elements in the display of the order in the picture.From the aspect of composition and color,the design semantic expression of divine space and the design expression of Tibetan texture are explained respectively.