The Aesthetic Cultural Study On Twenty-Four Views Of Baiyun Cave In Xiqiao Mountain

As early as August 1988,Xiqiao Mountain Scenic Area was listed as a national park of China by the State Council.Baiyun Cave is known as the sum of the scenic resources of Xiqiao Mountain.Its twenty-four scenes are the immaterial expressions of the selection of the scenic spots of Baiyun Cave.Based on the perspective of landscape architecture aesthetics,this paper takes the aesthetic cultural activities of Baiyun Cave as the logical clue,and explores the twenty-four scenes of Baiyun Cave as a collection of scenic cultural landscapes.This study first focuses on the formation of the twenty-four scenic spots of Baiyun Cave,and discusses the formation,development and evolution of Baiyun Cave scenic spots.Secondly,it analyzes the elements and connotations of the twenty-four scenes of Baiyun Cave and classifies them.Thirdly,combining the three dimensions of the artistic conception of Chinese landscape architecture,the aesthetic pursuit and cultural characteristics of the artistic conception of the twenty-four scenes of Baiyun Cave are explained.Finally,according to the psychological stage of the aesthetic activities of landscape architecture,the process of aesthetic psychological activities of the twenty-four scenes of Baiyun Cave is explained.The twenty-four scenes of Baiyun Cave were formed during the 54 th year of Emperor Qianlong to the Daoguang Period of the 8th Reign,and were the result of the selection of the literati group with high aesthetic ability through the selection of the prizes.At this time,the landscape pattern of Baiyun Cave was at its peak.The main reason for the evolution of the twenty-four scenes of Baiyun Cave is that the Xi’an Mountain Science lectures turn to the cultural orientation of Baiyun Cave literature.The theme of the twenty-four scenes of Baiyun Cave constitutes a universal connection,vividly blending,and presents an aesthetic tendency to admire the landscape and respect nature.The artistic conception of the twenty-four scenes of Baiyun Cave creates a space consciousness that highlights time and space,a swirl of interest that blends with the scenes,and a space philosophy of space.The psychological process of the aesthetic activities of the twenty-four scenes of Baiyun Cave is based on the formation of aesthetic attitudes.Through the full sensory mobilization,emotional mobilization and further emotional construction,the aesthetic subject enjoys a pleasant aesthetic feeling.The literati group of subject matter demonstrates the aesthetic and elegant aesthetic ability and develops an imaginative aesthetic experience.Satisfying the natural aesthetic pursuit of the subject,and realizing the aesthetic transcendence in spiritual freedom.This research enriches the research of landscape architecture in the collection of scenic spots and landscapes,and further case deepening and theoretical interpretation in the direction of landscape architecture aesthetics.And analyzes the artistic conception of the twenty-four scenes of Baiyun Cave,explains the psychological process of aesthetic activities,and reveals the aesthetic cultural connotation of the twenty-four scenes of Baiyun Cave,which has certain academic and theoretical value.Furthermore,the induction of the aesthetic characteristics of the twenty-four scenes of Baiyun Cave also contributes to the development of the public aesthetic activities,and provides a basis for promoting the historical and cultural cognition and protection development of Baiyun Cave scenic spots.It has certain practical guiding significance.