A Study Of Buddhist Patterns In Yungang Grottoes

In the long history,the development of Buddhism,with a religious and cultural image,and our civilization and history are basically inseparable.Literary creation is one of the causes of civilization for the development and progress of human beings on the earth.As a human being,when there is a certain material foundation,there will be a desire for spiritual aspects,and artistic creation will be born.They are the product of the continuous sublimation of our inner feelings and wisdom at different times.From the time when art creation was born,Buddhism further spread its ideas and charm through art creation.Buddhism is currently one of the three major religions known in the world.Its birthplace is in ancient India.It is mainly spread and distributed in East Asia,Southeast Asia,Indochina,Singapore,South Asia,Nepal,and North Asia.From the beginning of the birth of Buddhist art creation,there is a very strong decorative effect on its various creative styles and the creation of decorative patterns in the sensory layout.Throughout the history of the development of Buddhist art creation in the world,many Buddhist decorative patterns that contain many different Buddhist traditional ideas and stories have been created and created.Along with Buddhism,these Buddhist patterns,which have been created and continuously derived,have also been continuously disseminated into China,and,in the course of the continuous development of history,have merged with China’s colorful traditional culture and traditional art.Step by step,it has developed into a Buddhist pattern that is more consistent with China’s National conditions and social aesthetic needs in different historical periods,and it has shown many different forms of change,variety,and different styles.Today,there are more and more art designers who look at the rich religious colors and profound cultural heritage represented by Buddhist decorations,and they have developed into an important part of the indispensable appliedelements in modern and contemporary art creation.This paper will be based on the current research status of Buddhist decorations at home and abroad,and will study the Buddhist patterns in the caves of the Yungang Grottoes as the research object,and then refer to the research results of recent years.Based on my detailed investigation and analysis of the relevant relics and relics of the Yungang Grottoes,through rigorous scientific investigations and field surveys in different aspects,the overall consideration of the number and characteristics of Buddhist ornaments that have been excavated in the caves of the Yungang Grottoes,and the location of carvings,Summarize the carving of the Yungang Grottoes from the last cave,which deals with the different artistic characteristics and classification of Buddhist decorations,and then analyze the development of various aspects of society and the influence of specific factors on the excavation of caves in different historical periods.It is hoped that we can clarify the different periods and different dynasties of the evolution of Buddhist patterns in various caves in the Yungang Grottoes,and clarify the different classifications and changes of Buddhist patterns in each cave in the Yungang Grottoes,in order to comprehensively expand the quality of Yungang Grottoes.The overall system of research.At the same time,this paper will also specifically analyze the application and innovation of Buddhist decoration in other design applications,especially the application of Buddhist decoration in modern design outside Buddhist caves and temples.One of the characteristics of this paper is related to the classification and carving form of Buddhist ornaments in the Yungang Grottoes,the ideological connotation of Buddhism or the ruling class at that time,and the function they embody in the construction of the grottoes.Some of my own experiences and understandings of these aspects are described.