A Study On The Theory Of "Film" In Chinese Films

The longitudinal view of the history of Chinese film art,which appeared in the early stage of China’s "Shadowplay" Theory,whether in the form or in the concept of the movie have a greater impact on china.As a rational reflection on the film,the "Shadowplay" Theory is deeply rooted in Chinese traditional culture.It is accompanied by the birth of the film appeared in China,and always runs through the development of Chinese film theory.Through the study of the "Shadowplay" Theory in Chinese film,this paper explores the reasons for the formation and development of the "Shadowplay" Theory.And in the Chinese film longitudinal investigation of the "Shadowplay" Theory of the development of the concept of the film and the creation of the film,summed up the "Shadowplay" Theory of aesthetic connotation.Finally,we will further reflect on the problem in the process of reconstructing the "Shadowplay" Theory and the development countermeasures in the present.The full text is divided into three parts.The first part is the history of Chinese film,which is divided into the early films,the anti-war movies,the "seventeen years" film,the "Cultural Revolution" film and the new era of film.It combs the characteristics and performance of the "Shadowplay" Theory in different stages of Chinese film development.The second part explains the aesthetic connotation of the "Shadowplay" Theory.It mainly includes three aspects: moralizing,dramatic and facticity.This is the interpretation of the aesthetic connotation of the "Shadowplay" Theory from the inside.The third part mainly focuses on the big discussion of the "Shadowplay" Theory in the new era of film theory.Secondly,on the basis of reflection,the "Shadowplay" Theory is reconstructed.It can clear the ideological origin and motive force of the "Shadowplay" Theory in the new period.Finally,the author has carried on the profound reflection and the reunderstanding to the traditional "Shadowplay" Theory view.