| In recent years,with the Chinese film box office,the number of city screen and the number of views on the film continues to create a new high,in the background of the slow development of the global film market and even stagnation,Chinese film creation and development have maintained a good trend of development,becoming the second of the world.However,under the great economic stimulus,Chinese films also show the quality and the bad,the heavy flow light production,the single type of impetuous situation,the overly commercialized film production and marketing make the Chinese film market more noisy.As a young director who entered the cinema in twenty-first Century,Cheng Er and Ning Hao,Lu Chuan,Ding Sheng and other new generation filmmakers have distinct and unique aesthetic styles.The film's unconventional narrative style,steady fixed lens,human nature and violence depict audiences.It is precious that Cheng Er,the author's director,has strict standards for movies.three to six year period of making a movie,so far only “Unfinished Girl ”,“Lethal Hostage” and “The Wasted Times ” three movies("criminals" is not on the line,graduation assignments,not included in the study),This spirit of craftsmen who always insists on his movie aesthetics can be described as a clear flow in the impetuous Chinese movie circles.Unfortunately,the study of Cheng Er's film is limited to the appreciation of a single piece of work,and lack of systematic research on the aesthetic style of films..In this paper,Cheng's film works are taken as the research object,firstly,a case study of works in different periods is carried out to discuss the formation process of film aesthetics;Secondly,compare with“Unfinished Girl ”,“Lethal Hostage” and “The Wasted Times ” to Summing up the constant characteristics of the film;Thirdly,thinking about the origin of movie aesthetic style based on world cinema;Last,thinking about the orientation and trend of personalized movie based on the dilemma encountered by Cheng Er movie. |
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