| In this paper,the major research object is Ghirlandaio of Florence in the 15th century,the paintings of Ghirlandaio is a specific inspection line,at the same time with his artistic activities and learning system as well as the era background as the subordinate line,and attempts to start from the multidimensional comparison between Chinese painting and western paintings and creates comparison of Ghirlandaio’s paintings and Wu door four landscape painting in the Ming dynasty,and at the perspective of Chinese and western to see the characteristics about Ghirlandaio’s painting.First of all,involve the artistic activities of Ghirlandaio’s life and his early apprenticeship and the members of his workshop and the main activities are to be dealt with the scope of the internal structural relations and external activities of Ghirlandaio.Secondly,by understanding his historical background and artistic activities,the author analyzes the environment of his place and tries to reveal the influence of his artistic activities.Third chapter to put Ghirlandaio’s paintings as the remain research object,in order to 1480 as the dividing line,divides into early and mature period,focus on specific works,excavation,Ghirlandaio about the characteristics of the source of the heritage and personal style.The fourth chapter,with the multidimensional comparison between 15th-century Florentine and Ming dynasty paintings to the landscape paintings in the religious paintings of the Ghirlandaio and the landscape paintings of Wu men.So this article is focus on the make up of the early Renaissance Florence painter,Ghirlandaio’s painting research about lack of case research,and deepen the work of the early sources and the characteristics of the mature period,as the breakthrough point,try an exploratory research,and to explore the 15th-century Florence and the art of painting environment,China’s Ming dynasty Suzhou,and put Ghirlandaio’s paintings research in the field of intervention to contrast under the perspective. |
PDF Full Text Request