Analysis On The Acoustics Morphing And Organizing Of Acousmatic Music

The concept of Acousmatic Music was proposed by the French composer Francois Bayle in 1974,which inherited the essential tradition of the Concrete Music and enriched the compositional methods through the progress of science and technology.The use of sound-materials is no longer limited to the simple collage and reorganization of the sound-materials prototype in the Concrete Music period,and is based more on the audio technology to make use of the complex deformations of sound-materials.This paper studies on the author's Acousmatic Music work Wind Of Urho.In the process of concrete analysis,the author makes a comprehensive analysis of the acoustics morphing and organizing in the work through detailed observation in the progression of music.At the same time,it summarizes the penetration of composing technology and theoretical thinking in work.It can be learned that composing Acousmatic Music is not just a sonic experimentation.As a musical art,it needs to give sound-materials more possibilities through audio technology and to organize these sounds with certain logical thinking.The theoretical thinking of composing technology has different degrees of guiding significance to the construction and organization of Acoustics.Through analyzing the examples in this work,the paper tries to provide some meaningful inspiration and references for composers who will engage in composing and studying Acousmatic Music.