The Study Of Dostoevsky's Creation From The Perspective Of Reception Aesthetics

Fedor Mikhaylovitch Dostoyevsky is a famous realistic writer in the nineteenth Century.His works have been fruitful and profound,and his works have received numerous attention and evaluation as soon as he came out.Because of Dostoyevsky 's many works,in order to facilitate his writings,the study of Dostoyevsky is limited to his novels,including Be Bullied and Insulted,Crime and Punishment,Idiot,Demons and The Brothers Karamazov.This thesis from the perspective of reception aesthetics and from the relationship between the works and the readers,this paper analyzes the reasons why Dostoyevsky's works are loved by the masses.This paper is a total of four chapters.The first chapter introduce the present situation of Dostoevsky research at home and abroad in the past 20 years,the main content of the theory of reception aesthetics and the value of this thesis.The second chapter discusses the "reader centered consciousness" in Dostoyevsky's works,and finds that intellectuals like to read about religious beliefs and social systems and burghers class like to read murder novel and complex characters.His works effectively cater for the interest of the intellectuals and burghers class.The third chapter explores the blanks in Dostoyevsky's works,including structural blank and semantic blank,pointing out that there are a lot of blanks in Dostoyevsky's works,so that readers can create and imagine the blank.The fourth chapter studies the aesthetic feeling and pleasure brought by Dostoyevsky's works to readers from the horizon of expectation that style expectation,image expectation and connotation expectation.I finds that the readers constantly design reasonable plot in the creation and the works make readers constantly adjust and improve their expectation horizons constantly.Dostoevsky took full account of the readers' reading needs in his creation,which was also an important reason for his great reputation.